Line 6 bass pod xt live инструкция на русском

Line 6 pod x3 live подключение к компьютеру

Для запуска Х3 в безопасном режиме нужно держать клавишу «вправо».

Для изменения контраста:
1)включить
2)нажать и держать в течении нескольких секунд OUTPUTS
3)дважды нажать ВНИЗ
4)покрутить крайнюю левую крутилку под экраном туда-сюда для изменения контраста.

Щас поищу, но можешь на всякий случай ссылку скинуть на эту тему?

Блин, я уже подумал, что у меня глюки..)) Просто раньше поэтапно не было расписано действий )) Хорошо, я попробую..о результатах сообщу сразу же.

Кстати, в безопасный режим зайти я не могу. То есть кнопки перестают реагировать на нажатия, но на дисплее так ничего и не появляется.

Выяснилось, что при продаже я не заметил пункта, где было оговорено, что он с этим дефектом. Поэтому он мне и обошелся в 15 рубликов. Поэтому, ребят, это моя вина. Сейчас попробую договориться о возврате, а если нет, то отправлю в сервис-центр в Москву. Видимо, его продавали по принципу «Есть проц, но кое-что не работает. Подшаманите немного и будет вам проц»..в английском это называлось AS IS (то есть «как есть»). А я этого не понял. Поэтому бесполезно теперь колдовать над ним.

Звук из него не выходит, поэтому гейрбокс тут мне ничем не поможет.

Источник

Line 6 POD XT Live и способы его подключения к внешним акустическим системам (1 онлайн

KrutoyBobr

New Member

Доброго времени суток!

После покупки сего девайса столкнулся с рядом сложностей, связанных с коммутацией процессора. Данный прибор, как многие знают, можно подключать несколькими способами:

1) просто в линию, используя имитированную связку усилитель-кабинет-микрофон
2) в качестве преампа, при подключении «в разрыв» и отключением тем самым имитации кабинета
3) подключение напрямую в голову или комбо, используя «родной» перегруз, а девайс как набор эффектов( ну или как грелку, например)

С первым вариантом все ясно, но вот по поводу других возникают проблемы.

Если я подключаю процессор в разрыв усилителя, то звук становится до безобразия тихим, даже при максимальном уровне выхода. Отсюда вопрос: Это как-то лечится, или же только подзвучка стека спасет от тихой громкости?=)

Далее совсем мне непонятное обстоятельство. Когда подключаю процессор напрямую в голову, даже в режиме бай пас, когда все эффекты, модуляции, усилители отключены, теряется сигнал от самого усилителя, что на чистом, что на перегруженном канале, как будто девайс забирает его. Из-за этого ламповый перегруз звучит максимум как овердрайв, при гейне 80%, хотя без проца данная Mesa довольно-таки некисло рычит.

Понятно, что надо что-то крутить и смотреть, только вот что.

Кто в курсе, подскажите, пожалуйста.

Заранее благодарен всем!:drinks:

sudden

Active Member

Доброго времени суток!

После покупки сего девайса столкнулся с рядом сложностей, связанных с коммутацией процессора. Данный прибор, как многие знают, можно подключать несколькими способами:

1) просто в линию, используя имитированную связку усилитель-кабинет-микрофон
2) в качестве преампа, при подключении «в разрыв» и отключением тем самым имитации кабинета
3) подключение напрямую в голову или комбо, используя «родной» перегруз, а девайс как набор эффектов( ну или как грелку, например)

С первым вариантом все ясно, но вот по поводу других возникают проблемы.

Если я подключаю процессор в разрыв усилителя, то звук становится до безобразия тихим, даже при максимальном уровне выхода. Отсюда вопрос: Это как-то лечится, или же только подзвучка стека спасет от тихой громкости?=)

Далее совсем мне непонятное обстоятельство. Когда подключаю процессор напрямую в голову, даже в режиме бай пас, когда все эффекты, модуляции, усилители отключены, теряется сигнал от самого усилителя, что на чистом, что на перегруженном канале, как будто девайс забирает его. Из-за этого ламповый перегруз звучит максимум как овердрайв, при гейне 80%, хотя без проца данная Mesa довольно-таки некисло рычит.

Понятно, что надо что-то крутить и смотреть, только вот что.

Кто в курсе, подскажите, пожалуйста.

Заранее благодарен всем!:drinks:

Насколько я помню, на Live выходной уровень регулируется маленькой ручкой с торца, кроме того, есть переключатели входного уровня и выходного.

Переключатель Line/Amp регулирует выходной уровень, Line громче.

Ну и под этим переключателем есть маленькая ручка Level, которая регулирует общий выходной уровень.

Источник

Инструкция для Line 6 POD X3, POD X3 Pro, POD X3 Live

Manuel de pilotage

An in-depth exploration of the advanced technologies and

pulsing tonal pleasures of POD X3, POD X3 Live & POD X3 Pro.

Electrophonic Limited Edition available @ www.line6.com/manuals

Оглавление инструкции

® POD X3 Family Pilot’s Handbook Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto An in-depth exploration of the advanced technologies and pulsing tonal pleasures of POD X3, POD X3 Live & POD X3 Pro. 40-00-0120 Electrophonic Limited Edition available @ www.line6.com/manuals Rev

Important Safety Instructions C A UT I O N RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING : TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING : TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO

You should read these Important Safety Instructions Keep these instructions in a safe place • • • • • • • • Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation

Please Note: Line 6, POD, POD X3, POD X3 Live, POD X3 Pro. PODxt, Vetta, FBV, FBV Shortboard, FBV Express, and FBV4 are trademarks of Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners, which are in no way associated or affiliated with

Table of Contents Tutorial: POD X3 Live for Guitar. 1•1 Tutorial: POD X3 & POD X3 Pro for Guitar. 2•1 Controls & Connections. 3•1 POD

EQ. 5•14 Wah. 5•15 Volume

Tutorials Tutorial: POD X3 Live for 1•1 1. Plug your guitar into Guitar In. 2. Turn on POD X3 Live. 3. Recall User Preset “32D: Tutorial1”. Press to get to User Bank 32 Guitar Press to load preset D.

Tutorials 4. The Home Page shows with the Amp+Cab block selected. 1•2 5. Pick an Amp Model. Double-press to show AMP+CAB settings. Turn to pick an Amp Model. 6. Tweak the Amp Tone Controls. TYPE selects from Guitar, Bass and Pre-Amp Models.

Tutorials 7. Pick a Stomp Model and tweak it. 1•3 Double Press Turn to select DISTORTION: KILLER Z Press down to select lower row. Turn to tweak upper row settings. Turn to tweak lower row settings.

Tutorials 8. Show the Delay settings. 1•4 Double Press 9. Set the Delay tempo, and set it to run post (after the Amp Model). Press down to select lower row. Tap is set to quarter note. Tap delay temo. Set CONFIG to POST.

Tutorials 10. Select the EQ. 1•5 Press to show the Home Page. Press up/down/left/ right to select EQ. Press to turn EQ on/off. 11. Tweak the EQ. Press up/down to select upper/lower row. There is no model select for EQ. Double-press to show EQ settings.

Tutorials 12. Turn both Tones on at once. 1•6 HOLD FOR 2 SECONDS 13. Load preset to Tone 2 Only.

Tutorials 14. Select and Tweak Tone 1/Tone 2. 1•7 Tone 1 is selected above. Tone 2 is selected above. PRESS BRIEFLY 15. These knobs and footswitches control only one Tone at a time:

Tutorials 16. Tweak combined volume of Tone 1 + Tone 2. 1•8 17. Save. PRESS Press to finish save. Choose a User location to save to. Choose to edit name for Tone 1 or Tone 2. Move cursor. Change character.

Tutorials 4. Turn on the Amp Model. PRESS 2•2 AMP+CAB is off (outlined). AMP+CAB is on (black). 5. Pick an Amp Model. PRESS Double-press Turn to pick an Amp Model. TYPE selects from Guitar, Bass and Pre-Amp Models. 6. Tweak the Amp Tone Controls.

Tutorials 7. Pick a Stomp Model and tweak it. 2•3 Double-press Turn to select DISTORTION: KILLER Z Press down to select lower row. Turn to tweak upper row settings. Turn to tweak lower row settings. 8. Show the Delay settings. DOUBLE-PRESS TO ADJUST Double-press

Tutorials 9. Set the Delay tempo, and set it to run post (after the Amp Model). 2•4 Tap delay tempo Press down to select lower row. Tap is set to quarter note. Set CONFIG to post. 10. Select the EQ. Press to show the Home Page. Press up/down/left/ right to select EQ. Press to turn EQ on/off. 11.

Tutorials 15. These knobs and buttons control only one Tone at a time: DRIVE BASS MIDDLE TREBLE PRESENCE REVERB 2•6 TONE VOLUME PRESS ON/OFF • DOUBLE-PRESS TO ADJUST 16. Tweak the combined volume of Tone 1 + Tone 2. 17. Save. PRESS Press to finish save. Choose a User location to save to. Choose to

Controls & Connections Controls & Connections POD X3 3•1 1 Display – the LCD (liquid crystal display) is your window into the power of POD X3. You’ll see (2) types of “pages” in the display: Home Page – the “Tone Path” Home Page shows you all the digital processing “blocks” that are working to

Controls & Connections Tone Path Home Page 3•2 2 Select Knob page you’re on. – Big User Home Page (available for User Presets only) Edit Page turning this knob will do different things depending on what Home Page – turn to select presets. See Chapter 4 for all the details. Edit Page – turn to pick

Controls & Connections Press the Home button to leave the Edit page and return to the Home Page. Chapter 5 gives you details on all the Edit pages available. 7 Outputs / Hold for System – press to enter the Outputs setup page, where you can set up POD X3 for whatever you’re connecting it to. This

Controls & Connections setting to just the right value. See Chapter 5 to learn how to set up effects to follow the tempo that you’ve tapped. Press and hold the Tap button for 2 seconds to activate the tuner. You can also add footswitch tuner activation with an optional FBV foot controller. 10 Drive

Controls & Connections Volume to maximum, when setting levels. 15 Clip Light – this lights when clipping is detected, which generally means unpleasantly distorted, bad sound. Try reducing the output level of the device that’s feeding your POD X3, or reducing the Tone Volume for Tone 1 or Tone 2, or

Controls & Connections 20 S/PDIF Out – this jack sends out 24-bit digital versions of the Left & Right Outputs. The System setup page lets you choose the sample rate and adjust the level. See Chapter 6 for the scoop. 21 USB 2.0 – POD X3’s USB 2.0 jack lets you connect directly to a USB 2.0-equipped

Controls & Connections Join the Club! Visit www.line6.com/club to register online and join the All Access club, the place to get: • Free iTunes and MP3 Jam Tracks. • Free loops for GarageBand, Acid, Reason and more. • Free guitar lessons from LA session pros. • Free chord and scale practice tools.

Controls & Connections POD X3 Live HOME HOLD FOR COMMANDS ON/OFF DOUBLE-CLICK TO EDIT PRESS TO SAVE INPUTS OUTPUTS HOLD FOR SYSTEM 3•8 1 Display – the LCD (liquid crystal display) is your window into the power of POD X3 Live. You’ll see (2) types of “pages” in the display: Home Page – the “Tone

Controls & Connections 2 Select Knob page you’re on. – turning this knob will do different things depending on what Home Page – turn to select presets. See Chapter 4 for all the detail. Edit Page – turn to pick a different Model. This works for the Amp, Stomp, Mod, Delay, Reverb, and Wah edit

Controls & Connections 8 Multi-function Knobs – turn any one of these knobs to adjust the corresponding parameter in the display. 3•10 See Chapter 4 to learn about Home Page functions for these knobs. 9 Footswitches – these allow you to do the following: Tone 2 / Hold for Dual – press to toggle

Controls & Connections Tap / Hold for Tuner – POD X3 Live allows you to control the time and speed of your Delay and/or Mod effects by simply tapping on this footswitch. Tap a few times here, and the effects that are set to “lock” to that tempo will change to match what you tapped. There’s also a

Controls & Connections or guitar level inputs. Line level inputs should allow you to turn POD X3 Live’s Master Volume up all the way (or close to it) and thereby get the best sound possible. If your gear has inputs that function as mic/line level inputs, try to set the trim for those inputs to the

Controls & Connections 21 Guitar In – plug your guitar or bass in here. You techies will want to know this is a mono, unbalanced connection. The Guitar In Pad switch sets the sensitivity of this jack. The Inputs page is where you assign whether this input feeds Tone 1, Tone 2 or both. See Chapter 6

Controls & Connections 28 Effects Loop – the Effects Loop provides a mono FX Send and a stereo FX Return, operating at approximately 19.5 Volts peak-to-peak, making it optimal for line level devices. The loop can also be used with most stomp boxes by adjusting the send and return levels. Use the

Controls & Connections • 7 is the sum of the inputs you’ve chosen for Tone 1. • 8 is the sum of the inputs you’ve chosen for Tone 2. You can also connect your headphones or powered speakers directly to POD X3 to hear your computer-generated audio, along with POD X3’s real-time processing. See

Controls & Connections POD X3 Pro ® 3•16 1 Display – the LCD (liquid crystal display) is your window into the power of POD X3 Pro. You’ll see (2) types of “pages” in the display: Home Page – the “Tone Path” Home Page shows you all the digital processing “blocks” that are working to deliver your

Controls & Connections 2 Select Knob page you’re on. – turning this knob will do different things depending on what Select Knob Home Page – turn to select presets. See Chapter 4 for all the details. Edit Page – turn to pick a different Model. This works for the Amp, Stomp, Mod, Delay, Reverb, and

Controls & Connections 8 Multi-function Knobs – turn any one of these knobs to adjust the corresponding parameter in the display. 3•18 See Chapter 4 to learn about Home Page functions for these knobs. 9 Keypad – these buttons allow you to do the following: Tone 2 / Hold for Dual – press to toggle

Controls & Connections This knob, along with the Tone Controls, Reverb, and Tone Volume knobs, adjusts the Tone that is currently selected – Tone 1 or Tone 2. See Chapter 4 for more info on Dual Tone and how this all works. 11 Tone Controls – Bass, Middle, Treble, Presence. Just like any guitar

Controls & Connections 17a Guitar In Pad – engage this Pad to tame hotter signals at the Guitar In jack when you use guitars with active pickups or other high output sources. 18 Low Cut Filter – push this button in to engage the Low Cut Filter for the Mic Input. It cuts 75Hz and below, which is

Controls & Connections 25 S/PDIF I/O – the S/PDIF Out jack sends out 24-bit digital versions of the Direct Out signals. The System setup screen lets you choose the sample rate and adjust the level. See Chapter 6 for details. The S/PDIF In jack receives 24-bit digital audio. 26 Studio/Direct Out –

Controls & Connections 33 USB 2.0 – POD X3 Pro’s USB 2.0 jack lets you connect directly to a USB 2.0-equipped computer, and take advantage of many computer-powered features: • Line 6 Monkey software makes it easy to install software and get updates. Install driver software with Line 6 Monkey, and

Controls & Connections 36 Line Inputs – these two unbalanced 1/4-inch inputs can be used for a second guitar or just about any other instrument or line inputs. The Inputs page is where you assign whether these inputs feed Tone 1, Tone 2 or both. See Chapter 6 for more info. Join the Club! Visit

Getting Around,Tones & Tuner Getting Around, Tones & Tuner POD X3, POD X3 Live and POD X3 Pro allow you to completely tweak your tone, giving you the ability to dial-in just about any sound you can imagine. More importantly, we’ve come up with an amazingly straight-forward way for you to take total

Getting Around,Tones & Tuner • Amp+Cab • Loop (POD X3 Live & Pro) • Gate • Mod • Wah • Dly • Stomp • Rev • EQ • Vol (always on) • Comp 4•2 Each block in the path can be selected, turned on or off (except Volume), and tweaked to your liking. To select a block from the Home Page, use the 4-way Nav

Getting Around,Tones & Tuner If there are multiple rows or multiple pages of parameters in an Edit Page, you can use the Up and Down buttons to get to them all. Press up/down to select upper/lower row for tweaking. Turn to tweak upper row settings. Turn to tweak lower row settings. 4•3 From any

Getting Around,Tones & Tuner The Dual Tone Concept One of the most powerful features of POD X3, POD X3 Live and POD X3 Pro is Dual Tone capability. What is Dual Tone, you ask? There are actually two (2) completely independent Tone paths available in POD X3, POD X3 Live and POD X3 Pro! This allows

Getting Around,Tones & Tuner Dual tone on HOLD Dual tone off 3. Tweak your Tones. From the Home Page, briefly pressing the Tone 2 button (POD X3 & POD X3 Pro) or stepping on the Tone 2 footswitch (POD X3 Live) will toggle between controlling Tone 1 and Tone 2. When you’re on the one you want, you

Getting Around,Tones & Tuner Tone Volume Controls • The Tone Volume knob adjusts the volume of the Tone that is currently selected. Use this control to set the correct balance between Tone 1 and Tone 2. • From the Home Page, the rightmost Multi-function knob lets you adjust the volume of Tone 1 +

Getting Around,Tones & Tuner Preset Folders POD X3, POD X3 Live and POD X3 Pro include over 350 presets to cover a wide range of styles. These presets store complete amp-and-effect selections and settings that you can call up at the touch of a button. Of these presets, there are 128 User locations

Getting Around,Tones & Tuner Locking Tone 2 From the Home Page, you can lock Tone 2 to prevent it from getting overwritten when loading new presets. This is handy when you’re using Tone 2 for vocals and you want to make sure it doesn’t change when you recall guitar presets on Tone 1. Tone 2

Getting Around,Tones & Tuner Tuner Press and hold the Tap button or footswitch for 2 seconds to enter tuner mode — shazam! Instant digital chromatic tuner for Tone 1. The display will change to the following: TUNER 50 440HZ REF 50 E BYPASS AUDIO All Amp Model and effects processing are bypassed so

Reference:Tweaking Tones Reference: Tweaking Tones Amp + Cab Type – turn this knob to select Guitar Amp Models, Bass Amp Models or Pre-Amp type Models. Select Knob – once the Type has been selected, turn the Select Knob to pick an Amp Model. The Model names will appear at the top of the display.

Reference:Tweaking Tones Tone Controls 5•2 Tone Controls adjust the overall tone of the currently-loaded Amp Model. You should know that these controls are individually crafted for each Amp Model, so their response and interactivity will change depending on the Amp Model that is selected. For

Reference:Tweaking Tones Bass Amp Model Tone Controls: Bass – bass tone control. Lo Mid – low-mid tone control. Hi Mid – high-mid tone control. Treble – treble tone control. Drive – controls how hard you’re driving the input of the chosen Amp Model, and just like the input volume control on a

Reference:Tweaking Tones Stomp Boxes 5•4 What guitarist doesn’t like Stompboxes? POD X3, POD X3 Live and POD X3 Pro include an arsenal of amazing-sounding Distortion, Dynamics, and Filter Stomp Box Models, lovingly crafted after a whole carpet-full of the greatest effects of guitar history. Quick

Reference:Tweaking Tones Dynamics Stomp Boxes Sust – varies the compression threshold. Level – adjusts the overall level. Sens – varies the effect’s response to your playing. Amount – on Vetta Juice, varies the ratio of compression. Ramp – for Swell effects, sets the time it takes for your sound to

Reference:Tweaking Tones Attack – controls how long it takes for the effect to happen. Pos – represents the current angle of that pedal, with 0% meaning the pedal is fully heel down, and 100% meaning it’s fully toe down. If you don’t have a pedal connected, you can still adjust Pos to get a “parked

Reference:Tweaking Tones Modulation Effects Modulation effects are things that swoosh, pulse and warble—from phase shifters to flangers to choruses. Why are they called modulation effects? Well, if we consult a dictionary, we discover that ‘modulate’ in the electronic world means to “alter the

Reference:Tweaking Tones (before the amp model), or Post (after the amp model). Fdbk – adjusts how much of the effected signal is fed back to the input of the effect. Manual – on Jet Flanger, controls the length of the very short delay that’s applied to the sweep to make the flanging effect happen.

Reference:Tweaking Tones Delay Select Knob – turn to pick a Delay model. Time – for mono delays, sets the time for the delay line; for stereo delays, sets the time for the left side delay line. Tap – set this to OFF to have this effect ignore tempo, or pick a note value that you’d like your speed

Reference:Tweaking Tones Drive – for Tape Delay models, adds some tube warmth. Flut – for Tape Delay models, adjusts wow-and-flutter, that unique sound of a slipping, dirty capstan. Heads – for some Tape Delays, enables you to choose from the available combinations of the model’s virtual tape

Reference:Tweaking Tones Reverb When we set out to create POD X3, POD X3 Live and POD X3 Pro, we devoted our fanatical modeling technology and energy for innovation to developing no-compromise reverb effects. The collection of reverb models emulate physical environments (rooms and halls), plate

Reference:Tweaking Tones Gate 5•12 The Gate effect helps eliminate unwanted noise when you’re not playing, and can be especially valuable when using high gain sounds. Like a security gate, it’s supposed to quickly open to pass the things that you want, and then swing closed to keep out the things

Reference:Tweaking Tones EQ 5•14 Here’s some good, old-fashioned EQ to make your tone sparkle, rattle the neighbor’s windows, and everything in-between. You’ve got (2) bands of shelving EQ and (2) bands of semi-parametric “peaking” EQ to choose from. Lo Fq – sets the corner frequency of the

Reference:Tweaking Tones Wah The Wah effect is generally expected to be controlled by the pedal built into POD X3 Live or an optional Line 6 FBV foot controller or third-party MIDI controller. Select Knob – turn to pick a Wah pedal. Your choices are Vetta Wah, Fassel, Weeper, Chrome, Chrome Custom,

Reference:Tweaking Tones Volume Pedal 5•16 The Volume effect is generally expected to be controlled by the pedal built into POD X3 Live or an optional Line 6 FBV foot controller or third-party MIDI controller. Min – determines how much volume you’ll hear when the volume pedal is at its minimum

Reference: Configuration & Setup Reference: Configuration & Setup Inputs Press the Inputs button to get to the Inputs page: INPUTS GUITAR TONE 1 SAME TONE 2 DISABLE GLOBAL S/PDIF CONTROL DIGITAL VARIAX Here, you can route your hardware inputs to Tone 1 and Tone 2. Tone1 – pick an input to get

Reference: Configuration & Setup • Analog Input Restriction: POD X3 Pro does not allow simultaneous input from more than one analog input per Channel Strip. For example, if Gtr 1 is selected as input for Tone 1, no combination of a Tone 1 analog input such as Gtr 1, Mic 1, Line 1, Gtr 1+Gtr 2, Gtr

Reference: Configuration & Setup the second Outputs page. • Studio/Direct Tone 1 – the 1/4-inch jacks output Tone 1 only, panned center, with Studio Mode processing. • Studio/Direct Tone 2 – the 1/4-inch jacks output Tone 2 only, panned center, with Studio Mode processing. “Live” Modes (for feeding

Reference: Configuration & Setup Outputs Page 2: Studio/Direct Mix STUDIO/DIRECT MIX ON TONE 1 MATCH STUDIO/ DIRECT DIGITAL PAN 48kHz RATE ON TONE 2 PAN +12dB S/PDIF LE VEL FORMAT • This mix provides POD’s legendary direct recording sound, ideal for connecting direct to a mixer, recorder, PA, or

Reference: Configuration & Setup to increase the digital output level of sounds that don’t have a lot of Amp Model or stompbox distortion or other settings that are driving their levels up. Format – selects the digital output’s format, either S/PDIF or AES/EBU for POD X3 Pro, S/PDIF for POD X3 and

Reference: Configuration & Setup • 1-Wah/Vol 2-Tweak – Pedal 1 controls Wah and Volume with the toe switch toggling between the two. Pedal 2, if present, controls whatever is assigned to Tweak. Mstvol (POD X3 Live & POD X3 Pro only) – choose whether the Master Volume knob will control 1/4-Live

Reference: Configuration & Setup Commands Press and hold the Home / Hold for Commands button for 2 seconds to get to the Commands page: Turn the Select knob to choose a Command, then press the Save button to execute the Command. Press the Home button to exit without executing a command. Swap Tone 1

Example Setups Example Setups Need quick instructions for a particular setup? Just follow these easy steps. And like any good recipe, once you’ve got the hang of things, feel free to add your own tweaks on these recommended settings to spice it up. Mono or Stereo Recording or Direct to Mixer/PA

Example Setups Recording Tone 1 & 2 to Separate Mono Tracks 1. Connect outputs to your recorder: • POD X3: connect the 1/4-inch outs. • POD X3 Live & POD X3 Pro: the XLR outputs are recommended for live sound systems, to provide a level that approximately matches a mic’ed up amp. You can also use

Example Setups 3. Set the first OUTPUTS page (1/4-inch jacks Outputs): • Mode: Studio/Direct Tone 1 Feed One Guitar Amp 1. Connect 1/4-inch output(s) to your amp or speaker system. 2. Set the first OUTPUTS page (1/4-inch Outputs): • Mode: Combo Front, Combo Pwramp, Stack Front, or Stack PwrAmp. •

Example Setups • Tone 1 Pan: Full Left • Tone 2: On • Tone 2 Pan: Full Right 3. Check your Master Volume. • Select the loudest preset/settings you intend to use. • Play your instrument and turn Master Volume as high as you can without clipping the amp/speakers you’re feeding. Feed Two Guitar Amps,

Example Setups • From the Home Page, turn the second knob below the display, and begin loading Tone 2 settings. • Selecting Tone 1 from the preset you just saved (you’ve copied Tone 1 to Tone 2). • Set Tone 2’s Tone Volume low. • Add more effects to Tone 2, cranking up the effect mixes, so you hear

Example Setups • Select the loudest preset/settings you intend to use. • Play your instrument and turn Master Volume as high as you can without clipping the amp/speakers you’re feeding. Electric Guitar to On-Stage Amp and Direct Out + Vocals/ Acoustic/etc. to Direct Out Only 1. Connect your

Example Setups 8. Check your Master Volume. • Select the loudest preset/settings you intend to use. • Play your instrument and turn Master Volume as high as you can without clipping the amp/speakers you’re feeding. 7•7

USB & Computer Software USB & Computer Software Updating POD X3, POD X3 Live or POD X3 Pro’s Firmware Here are step-by-step instructions for making sure your POD X3, POD X3 Live or POD X3 Pro has the latest firmware installed. 1. From www.line6.com/monkey, download and install the latest version of

USB & Computer Software POD X3 Live or POD X3 Pro and complete its startup. 6. On the Updates tab, look to see if your USB Firmware and Flash Memory are up to date. • If either one doesn’t show a green circle with a checkmark, highlight Device Firmware and click the Update button to the right.

USB & Computer Software 5. The 7 and 8 inputs are perfect as raw sources for plug-in processing. • See www.line6.com/gearbox_plugin for info on our POD X3-equivalent plugin. 6. Connect your headphones or powered speakers directly to your POD X3, POD X3 Live or POD X3 Pro to hear your

PRESS TO HOLD FOR SYSTEM OUTPUTS DOUBLE-CLICK TO EDIT ON/OFF TONE 2 ON TONE 1 MODE WAH STOMP WAH STOMP PAN ON TONE 2 1/4-INCH OUTPUTS PAN STUDIO/DIRECT MIC/ROOM/SPEAKER SIMULATION COMBO OR STACK FRONT OR PWRAMP VOL (PRE) GATE VOL (PRE) GATE TONE 1 TONE 2 SAVE TONE 1 OR STUDIO/ DIRECT TONE 1 MODE

PRESS TO LOOP: TONE 1 OR TONE 2 (NOT BOTH) HOLD FOR SYSTEM OUTPUTS DOUBLE-CLICK TO EDIT ON/OFF TONE 2 TONE 1 WAH STOMP ON TONE 1 MODE PAN ON TONE 2 1/4-INCH OUTPUTS COMBO OR STACK FRONT OR PWRAMP PAN STUDIO/DIRECT MIC/ROOM/SPEAKER SIMULATION LOOP (PRE) VOL (PRE) GATE WAH STOMP LOOP (PRE) VOL (PRE)

PRESS TO GATE LOOP: TONE 1 OR TONE 2 (NOT BOTH) TAPPED FROM CHANNEL STRIP INPUTS HOLD FOR SYSTEM OUTPUTS DOUBLE-CLICK TO EDIT ON/OFF TONE 2 TONE 1 WAH STOMP TONE 1 MODE PAN TONE 2 1/4-INCH OUTPUTS COMBO OR STACK FRONT OR PWRAMP PAN STUDIO/DIRECT MIC/ROOM/SPEAKER SIMULATION LOOP (PRE) VOL (PRE) GATE

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