Line 6 pod go мануал

40-00-0408 Rev A (For use with POD Go Firmware 2.65) 2018 Yamaha Guitar Group, Inc.

2.65 OWNERS MANUAL

MODE

TAPBA

DC EDIT / EXIT

TUNER

EXP 1

EXP 2

WAH

VOL

ACTION

PAGEPAGE

VIEW1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

Particle Verb

Twin Harmony

Heir Apparent

Transistor Tape

Cali Q Graphic

Stereo FX Loop

MODE

TAPBA

DC EDIT / EXIT

TUNER

EXP 1

EXP 2

WAH

VOL

ACTION

PAGEPAGE

VIEW1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

Particle Verb

Twin Harmony

Heir Apparent

Transistor Tape

Cali Q Graphic

Stereo FX Loop

1.20 OWNERS MANUAL 40-00-0568 Rev D (For use with POD Go Firmware 1.20)

2021 Yamaha Guitar Group, Inc. All rights reserved.

Contents Welcome to POD Go 4 Common Terminology 4 Updating POD Go to the Latest Firmware 4 Marketplace 4 Top Panel 5 Rear Panel 7

Quick Start 8 Hooking It All Up 8 Wireless Setup 9 Play View 11 Edit View 12 Selecting Blocks/Adjusting Parameters 12 Choosing a Blocks Model 13 Moving Blocks 13 Copying/Pasting a Block 13 Preset List 14 Saving/Naming a Preset 14 TAP Tempo 15 The Tuner 15

The Blocks 16 Input and Output 16 Amp/Preamp 16 Cab/IR 18 Effects 20 Looper 25 Preset EQ 27 Wah/Volume 27 FX Loop 28 U.S. Registered Trademarks 29

Snapshots 30 Using Snapshots 30 Saving Snapshots 31 Tips for Creative Snapshot Use 31

Bypass/Control 32 Quick Bypass Assign 32 Quick Controller Assign 32 Manual Bypass/Control Assignment 33 Clearing a Blocks Assignments 33 Clearing All Assignments 34 Swapping Stomp Footswitches 34

Global EQ 35 Resetting Global EQ 35

Global Settings 36 Restoring All Global Settings 36 Global Settings > Ins/Outs 37 Global Settings > Wireless 37 Global Settings > Preferences 37 Global Settings > Switches/Pedals 38 Global Settings > MIDI/Tempo 38

USB Audio/MIDI 39 Hardware Monitoring vs. DAW Software Monitoring 39 DI Recording and Re-amping 39 Core Audio Driver Settings (macOS only) 41 ASIO Driver Settings (Windows only) 41 Setlist and Preset Recall via MIDI 42 Snapshot Recall via MIDI 42 MIDI CC 43

Additional Resources 44

2021 Yamaha Guitar Group, Inc. All rights reserved. Please Note:YamahaGuitarGroup,Line6,theLine6logo,Ampeg,SVT,Portaflex,PODGo,Powercab,Relay, DL4,DM4,MM4,FM4,M13,M9,M5,Helix,andHXaretrademarks or registered trademarks of Yamaha Guitar Group, Inc. in the U.S. and/or other jurisdictions. Apple, Mac, macOS, iPad, iPhone, and iTunes are trademarks of Apple, Inc., registered in the U.S. and other countries. Apple is not responsible for the operation of this product or its compliance with safety and regulatory standards. Windows is a registered trademark of Microsoft Corporation in the United States and/or other countries. YouTube is a trademark of Google, Inc.

Suppliers Declaration of Conformity 47 CFR 2.1077 Compliance Information

Unique Identifiers: Line 6 POD Go and Line 6 POD Go Wireless

Responsible Party — U.S. Contact Information: Yamaha Guitar Group, Inc. 26580 Agoura Road Calabasas, CA 91302-1921 (818) 575-3600 https://line6.com/

FCC Compliance Statement: This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

FCC ID: UOB-G10TII IC: 6768A-G10TII

4

Welcome to POD Go Manual? I dont need no stinkin manual! Perhaps, but you might miss out on some cool tips, tricks, and shortcuts that help you make better sounding tones and speed up the entire process. Fortunately, weve made a series of how-to videos for those of us who cant be bothered to, yknow, read. Go here: line6.com/meet-pod-go

POD Go? POD Go Wireless? Whats the difference? POD Go Wireless has a built-in Relay wireless receiver, ships with a Line 6 Relay G10TII wireless transmitter, charges the transmitter from its GUITAR IN jack, and includes a convenient storage well in the back panel for transport.* Other than that, theyre pretty much identical. So when you see POD Go in this manual, assume we also mean POD Go Wireless. AnyPODGoWireless-specificcontentwillappear in bluetextwithawirelessicon,likethissentence .

*NOTE: POD Go Wireless also supports the earlier Line 6 Relay G10T transmitter.AG10Ttransmittershouldbeupdatedtothelatestfirmware.

Common Terminology While reading this manual, you may encounter several unfamiliar terms. Its important to know what they mean.

Block Blocks are objects that represent various elements of your tone, such as amps,cabs,effects,loopers,inputs,outputs,andimpulseresponses. POD Go can accommodate one amp/preamp block, one cab/IR block, a Wah block, a Volume pedal block, a Preset EQ block, an FX Loop block,anduptofouradditionaleffectsblocks,allsimultaneously.

Model Each block can accommodate one model. POD Go includes 85 guitar and bass amp models, 39 cab models, 16 mic models, and over 210 effects models. See page 16 for the complete lists of included models and the gear they are based on.

Preset A preset is your tone. It consists of all blocks, parameter settings, snapshots, footswitch assignments, and controller assignments.

Send/ Return

The stereo TRS Send and Return jacks are used to insert your favorite stompboxesanywhereinthesignalfloworforconnectingtoyourguitar amp via 4-Cable Method — see FX Loop Settings on page 28.

IR IRs (Impulse Responses) are mathematical functions representing the sonic measurements of audio systems and are most often used for cab tones. POD Go can store up to 128 custom or third-party IRs at a time.* See Cab/IR on page 18.

*NOTE: To import IRs into your POD Go hardware, youll need to download and install the latest Line 6 POD Go Edit application. POD Go Edit is not only an indispensable librarian for managing and backing up all your presets and IRs, but also provides a full-size display for easy editing, right on your Mac or Windows computerand its free! Visit line6.com/software to get it now.

Updating POD Go to the Latest Firmware Updating POD Go will ensure you always have the latest models, features, factory presets,enhancements,andbugfixes.

1. Download and install the latest version of POD Go Edit from line6.com/software.

2. Connect POD Go to your computer via the supplied USB cable and turn it on.

3. Launch POD Go Edit. IfthereisanewerversionofPODGofirmware,POD Go Edit will walk you through the updating process. Also be sure to reference the POD Go Edit Pilots Guide for full detailsincluded with the POD Go Edit software, or available for download at Line 6 Product Manuals.

Marketplace Be sure to visit the Line 6 Marketplace online shop,whereyoullfind3rd-partyadd-on assets that further enhance the functionality of your Pod Go and POD Go Wireless devices! As of this writing, professionally crafted presets and IRs are available check back often on Marketplace for product news and announcements. An Internet connection is required for the computer on which youll be using the POD Go Edit app to authorize it for the use of Marketplace premium assets.

5

Top Panel

MODE

TAPBA

DC EDIT / EXIT

TUNER

EXP 1

EXP 2

WAH

VOL

ACTION

PAGEPAGE

VIEW1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

Particle Verb

Twin Harmony

Heir Apparent

Transistor Tape

Cali Q Graphic

Stereo FX Loop

W I R E L E S S

3 4

5

7

8

10

11

21

12

13

14

9

6

6

1. Main Display This color LCD is your window into the power of POD Go.

2. VIEW If you ever get lost, press this button to return home. Press again to toggle between the two main Home viewssee Play View and Edit View.

3. ACTION Press this button to open the action panel for the selected block or menu. From Edit view, the action panel lets you move, copy, and paste blocks. Othermenusmay have unique action panels; for example, theGlobal Settings action panel lets you reset all global settings at once. Press and ACTION together to open the Save menu for renaming and saving changes to a preset. Press both buttons twice to quick save. See Saving/Naming a Preset.

4. Upper Knob In Play view, turn this knob to select a preset. Press this knob to open the preset list. In Edit view, turn this knob to select a block for editing. Press this knob to bypass/enable the selected block.

5. Lower Knob In Edit view, turn this knob to change the current blocks model. Press this knob to open the model list. See Choosing a Blocks Model.

6. PAGE/PAGE Press to view more parameters for the selected block or menu. Press both PAGE and PAGE to dive deeper into POD Go, and youll findBypass/Control,GlobalEQ,andGlobalSettingsmenus.

7. VOLUME Turn this knob to control the main output and headphones volume.

8. WAH/EXP 1, VOL/EXP 2 LEDs These tell you whether the built-in expressionpedalisactingasEXP1(red)orEXP2(green).Bydefault,theWahblock is assigned to EXP 1 and the Volume Pedal block is assigned to EXP 2.

9. Knobs 1-5 Turnoneof thefiveknobsbelow themaindisplay toadjust the parameters value; press the knob to reset the parameters value. To assign the parameter to snapshot control, press and turn the knob; the value will appear white and in brackets. If a rectangular button appears above a knob, press the knob to engage its function.

SHORTCUT: For most time-based parameters such as delay time or modulation speed, press the knob to toggle between setting the value in ms or Hz and note divisions (1/4-note, dotted 1/8-note, etc.).

SHORTCUT: Controllers can be assigned to most parameters. Press and hold a parameters knob to quickly jump to the Bypass/Control page for that parameter.

10. Wireless Antennas These diversity antennas receive the RF signal from the G10T transmitter. Avoid covering the antenna with cables, stickers, or other pedals. See Wireless Setup for more information.

11. Expression Pedal Movetheexpressionpedaltocontrolvolume,wah,ora customizedcombinationofampand/oreffectsparameters.Activatethehiddentoe switch to toggle between EXP 1 and EXP 2. (The LEDs tell you which one is active.) Ifanexternalpedal isconnectedtotherearpanelEXP2 jack,thebuilt-inpedal becomes EXP 1 only. See Bypass/Control for more information.

12. Footswitches 1-6 ThesixfootswitchesbelowtheLCDhavecoloredLEDrings that tell you the current state of the assigned block or its function. See Play View for more information.

SHORTCUT: While in Stomp footswitch mode, press and hold two switches to swap all assignments between them.

13. MODE/EDIT/EXIT Switch Press MODE to toggle between Stomp and Preset footswitchmodes.PressMODE/EDIT/EXIT to exit Snapshot or 6Switch Looper modes.

14. TAP/TUNER Switch Press TAP two or more times to set the BPM (beats per minute)ofanytempo-basedeffects,suchasdelayormodulation.PressTAPonce torestartanyLFO-basedmodulationeffects.HoldTAPforonesecondtoopenthe Tuner. See The Tuner.

7

Rear Panel

RETURN / AUX (STEREO)

SEND (STEREO)

FOOTSWITCH 7 / 8

USB DC IN POWER

FX LOOPGUITAR IN AMP OUT PHONESEXP 2

L / MONO BAL / UNBAL

RIGHT

MAIN OUT RELAY G10T

STORAGE RELAY G10T CHARGER

16 17 18

15

20 21 22 23 2419 15. Relay G10T Storage When not using or charging the included G10TII

wireless transmitter, insert it into this handy storage well.

16. GUITAR IN Connect your guitar or bass to the GUITAR IN jack. Connect the included G10TII wireless transmitter here to charge its battery.

IMPORTANT!IfyouturnoffPODGoWirelesswhileaG10TorG10TIIisin the Guitar/Charge port, it will remain in sleep mode and slowly lose charge over a week or so. Not a problem if you play POD Go every day, but a huge bummer when you come back from vacation (which is why you should bring POD Go Wireless on vacation with you!). While in the storage well, the G10T/G10TII may retain its charge for a month or more, so its ready to go when you are.

17. EXP 2, FOOTSWITCH 7/8 Connect an expression pedal here to adjust awidevarietyofparameters.Alternatively,one (orwithaY-cable, two)external footswitches can be added to access additional stomps. (FS7=tip, FS8=ring). For externalfootswitches,themomentary(unlatched)typeshouldbeused.

18. FX LOOP These stereo 1/4″ in and out jacks can be used as an FX loop for insertingexternalstompboxesbetweenspecificblocks inPODGo,oras inputs and outputs for running 4-Cable Method rigs. See POD Go in 4-Cable Method. Alternatively, the TRS Return/AUX input can act as an always-on, Aux In for monitoringmixers,keyboards,drummachines,orMP3players.Tosetthefunction of the Return L/R jack, see Global Settings > Ins/Outs.

19. MAIN OUT L/MONO, RIGHT These 1/4″ outputs can accommodate either unbalanced TS cables to connect to your guitar amp or other pedals, or balanced TRScablestoconnecttoyourmixingconsoleorstudiomonitors.Whenconnecting to a mono pedal or single amp, connect only the L/MONO 1/4″ jack.

IMPORTANT! If the PHONES jack is connected, the MAIN OUT jacks will always be stereo, regardless of whether or not the RIGHT out is connected.

20. AMP OUT This unbalanced output is meant to send directly to the front of your guitaramp.Bydefault,itreflectsthesameoutputastheMAINoutputs(exceptin mono),but itcanbegloballyswitchedtobetappedoffdirectlybeforetheCab/ IRblock.Thisway,youcansendacab-emulatedsignal toyourmixer (orFRFR speaker) while simultaneously sending a non-cab-emulated signal to your guitar amp.

21. PHONES Connect stereo headphones here; turn the VOLUME knob to adjust volume.

IMPORTANT! Always turn the VOLUME knob down before connecting headphones. Protect your hearing!

22. USB POD Go also functions as a multichannel, 24-bit audio interface for Mac and Windows computers, with DI, re-amping, and MIDI functionality built in. Use of aUSB2.0or3.0portisrequireddonotuseanexternalUSBhub.PODGocan also record to an Apple iPad or iPhone mobile device (with optional Apple Camera Connection Kit).

23. DC In Line 6 recommends using only the included CUI INC DC-3h power supply (part no. SMI36-9-Y). The provided AC adapter serves as the disconnect device.

24. Power Switch Whensthelasttimeafloor-basedPODhadapowerswitch?A long time. Youre welcome.

Please refer to the additional included safety documentation for power supply information.

8

Quick Start Hooking It All Up There are many ways to connect POD Go to other gear, and the following pages illustrate only a few.

POD Go with an Amp and/or Powered Speakers Depending on how complex your tones are, PODGomay be able to act as your entire processing rig, providing amp modeling, cab modeling or cab IRs (Impulse Responses),effects,looping,andevenatuner. When connecting POD Go to a powered speaker (or two powered speakers in stereo), set the main outputs to line level. See Global Settings > Ins/Outs. YoucanconnectanadditionalexpressionpedalormomentaryfootswitchorwithaY cable, two momentary type footswitchesto the POD Go EXP 2 | FS 7/8 jack.

AMP OUT OR

Y-CABLE

AND /OR

MAIN OUT

TIP: The Line 6 Powercab and Powercab Plus active guitar speaker systems arespecificallydesignedforusewithtodaysmodelersandexcellentforuse with your POD Go! Please see line6.com/powercab for details.

POD Go in the Studio POD Go also includes a multichannel USB audio/MIDI interface for your production studio. It can re-amp, or use USB audio streams to process tracks or busses in your DAW (Digital Audio Workstation) after theyre recorded. See USB Audio/MIDI for more information.

MAIN OUTUSB

POD Go in 4-Cable Method 4-CableMethod isapopularandflexiblewayofhookingthingsup,allowingyou toroutesomeeffectsblocks(mostoftendrives,distortions,wahs,andcompressors) beforeyourrealampspreampandothereffectsblocks(oftentime-basedeffectslike delaysandreverbs)initseffectsloop. Popquiz:Howmanycablesshouldbeusedina4-CableMethodsetup?With POD Go Wireless, three! #yougetnopoints

IMPORTANT! Make sure you add a Send/Return > Mono FX Loop block at the pointinyoursignalflowwhereyouwishyourexternalampspreamptobe.And dont forget to bypass the POD Go Amp/Preamp and Cab/IR blocks!

TIP: 4-Cable Method really shines when you assign the FX Loop block (active) and Preamp block (bypassed) to the same footswitch. Press the switch to instantlytogglebetweenyourexternalampspreampsectionandanymodeled preamp in POD Go.

GUITAR IN

AMP SEND

AMP RETURN

MAIN OUT /MONO

RETURN

SE ND

GUITAR IN

9

Wireless Setup POD Go Wireless has a built-in Relay wireless receiver and includes a Relay G10TII wireless transmitter, so you can play untethered.

1. Anytime you bring POD Go Wireless into a new room or building, always connect the G10T transmitter to POD Gos GUITAR IN jack. POD Go Wireless scans the environment to choose the optimal wireless channel and frequency.

2. Wait 10 to 15 seconds. Think about how cool its gonna be to never trip over your guitar cable and land facefirstintoyourdogsfoodbowl.Again.

3. Remove the transmitter from POD Go Wireless and connect it to your guitars output. The G10TIIs battery lasts for 7 hours of playing time or about a month when inserted into the rear panel storage well.

4. Select the Input block on your POD Go Wireless device, press the lower knob, and choose either the Guitar+Wireless or Wireless as your input source.

For best wireless performance, try to maintain line-of-sight between the G10T wireless transmitter and the antenna above the expression pedal. POD Go wireless has a line-of-sight range of up to 100 feet (30 meters).

Facing away from POD Go Wireless can sometimes affectwirelessperformance, as your body can interfere with wireless signals. Also avoid covering the antenna with cables, other pedals, or small woodland creatures.

Maintain a safe distance (at least 10 feet/3 meters, but preferably more) from 2.4GHz WiFi routers. If a WiFi router must be in your performance enviroment, switch it to operate at 5GHz, if possible.

Transmitter Battery and Signal Indicators At the top left of the LCD screen, POD Go Wireless always displays two icons: the Battery Life indicator and either the RF Quality indicator, or the Charging or Syncing icon, as pictured and described below. ThefirsttimePODGoWirelessispoweredon,thebatteryoutlineisemptyand the RF bars display as dimmed, indicating no transmitter can be found (see No Tx Found below).

1. Connect G10T to POD Go Wireless GUITAR IN jack. Syncing Charging Fully Charged

While the transmitter is syncing, a sync icon is displayed (see Syncing above). Once syncing is complete, while the transmitter is connected to the GUITAR IN jack, a blue charging icon is displayed (see Charging above). When fully charged, the battery icon is displayed with all three bars bright green (see Fully Charged above).

NOTE: Any time you move POD Go Wireless into a new environment, connect the G10T to its GUITAR IN jack to perform a sync. Sync scans the frequency spectrum and automatically chooses the optimal wireless channel. You may also manually select the wireless channel from the Global Settings > Wireless menu.

2. Once sufficiently charged, remove the transmitter from the GUITAR IN jack and connect to your guitars output. POD Go Wireless continues to show the transmitter battery life indicator as well as a 3-bar RF signal strength indicator to its right. When no active transmitter is detected, an empty battery and dim RF bars are shown (see No Tx Found below). The remaining battery time and RF signal strength values are indicated as described below.

No Tx Found

No Tx FoundRF LowRF MediumRF High

< 30 mins. 30 mins- 1.5 hours

1.5 hours- 3 hours

3 hours- 4.5 hours> 4.5 hours

IMPORTANT!IfyouturnoffPODGoWirelesswhiletheG10TisintheGuitar/ Charge port, it will remain in sleep mode and slowly lose charge over a week or so. Not a problem if you play POD Go Wireless every day, but a huge bummer when you come back from vacation (which is why you should bring POD Go Wireless on vacation with you!). While in the storage well, the G10T may retain its charge for a month or more, so its ready to go when you are.

10

IMPORTANT! The G10T transmitters LED lights green when powered on and the battery has more than 30 minutes left. If the battery has less than 30 minutesleft,theLEDflashesred. Toextendbatterylife,sleepmodeisactivatedafteraperiodof4minuteswhereno audio input is detected. The transmitter wakes up when the instrument is played.

Using Multiple POD Go Wireless Systems Up to four POD Go Wireless and/or standalone Line 6 Relay wireless systems can be used on the same stage. However, care should be taken to ensure all systems are set up properly:

1. For the first system, connect the G10T transmitter to the POD Go Wireless GUITAR IN jack and wait 10 to 15 seconds. Make sure the transmitters LED lights green.

2. Connect the transmitter to your guitars output.

3. Before the first transmitter goes to sleep (after 4 minutes of no audio input), repeat the above steps 1 and 2 for any additional POD Go Wireless systems. Each systems scanning procedure works around other active wireless channels to help ensure high quality performance for all systems.

11

Play View POD Go has two main viewsPlay view and Edit view. Play view is typically used when performing or jamming.

1. Press VIEW to select Play view. The current preset number and name appear along the top of the display and the current footswitch modes assignments appear on the lower half:

2. Press the MODE footswitch to toggle between Stomp and Preset footswitch modes (see below).

WhileinPlayview,turningKnobs1-5brieflyreplacesthebottomrowoffootswitch boxeswiththeselectedblocksparameters:

FeedbackTime Wow/Fluttr Scale Spread

[37%]1/16 2.948%67%

Stereo FX LoopMinotaur Cali Q

Graphic

Stomp mode is where youll spend most of your time, as it most closely resembles the feel and behavior of a traditional pedalboard.

Step on FS1-FS6 to bypass/enable the assigned block or toggle between two values of one or more parameters.

Preset mode is used to navigate presets in the current setlist.

Step on to queue the next bank of presets. Step on to queue the previous bank of presets. The banks presets flash, indicating they are ready to load.

Step on A, B, C, or D to load a preset.

Snapshots are almost like presets within a preset, as they instantly, and seamlessly, recall every blocks bypass state and up to 64 simultaneous parameter settings. See Snapshots for more information.

1. Start from Preset Mode.

2. Press and together to enter Snapshot mode.

3. Step on A, B, C, or D to select Snapshot 1, 2, 3, or 4.

Snapshot Footswitch ModePreset Footswitch ModeStomp Footswitch Mode

BA

DC

1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

Minotaur

Twin Harmony

Particle Verb

Transistor Tape

Stereo FX Loop

Cali Q Graphic

BA

DC

1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

BANK BANK

16D Pastor of Muppets

16C Two-Plus Decades

16B Bel Haven, Yo!

16A Team Zerokelvin

BA

DC

1

16C TwoPlus Decades

FeedbackTime Wow/Fluttr Scale Spread

BANK BANK

3

1

4

2

12

Edit View POD Go has two main viewsPlay view and Edit view. Edit view is used for creating and tweaking your tones.

Press VIEW to select Edit view. Coloredblocksrepresentingamps,cabs,effects,andotheritemsappearontheupper half of the display, and the selected blocks parameters appear on the lower half:

116D Pastor of Muppets

[37%]1/16

Delay Transistor Tape 2.948%67%

FeedbackTime Wow/Fluttr Scale Spread

Blocks are objects that represent various elements of your tone, such as amps, cabs,effects,loopers,inputs,outputs,andimpulseresponses.Theillustrationbelow explainswhichblocksareavailableatanygiventimeinPODGo.

Selecting Blocks/Adjusting Parameters 1. While in Edit view, turn the Upper Knob to select blocks.

Alternatively, press a Stomp mode footswitch to automatically select the block assigned to it. The assigned block is bypassed (or if already bypassed, enabled) and its parameters appear along the bottom of the screen.

2. Press the Upper Knob to toggle the block on and off. Bypassed blocks appear semi-transparent.

3. Turn Knobs 1-5 below the screen. Some blocks have more than one page of parameters, in which case dots on the rightsideoftheinspectorindicatethecurrentpage.Forexample,thedotsbelow indicate that page 1 parameters are visible (the colored dot) and a total of three pages of parameters are available:

SHORTCUT: For most time-based parameters such as delay time or modulation speed, press the knob to toggle between setting the value in ms or Hz and note divisions (1/4-note, dotted 1/8-note, etc.).

4. Press PAGE or PAGE to access more parameters (if available).

These blocks are always in a preset

Add up to 4 additional effectsblocksanywhere

Distortion

Input Wah Volume FX Loop Amp/Preamp Cab/IR Preset EQ Output

Dynamics EQ Modulation Delay Reverb Pitch/Synth Filter Looper

13

Choosing a Blocks Model 1. If not already there, press VIEW to select Edit view.

2. Turn the Upper Knob to select the desired block, then turn the Lower Knob to change its model. Selecting models within the same category can be very quick. However, as POD Go has hundreds of items to choose from, using this method to, say, change an effectblockfromaDistortion(beginningofthelist)intoaLooper(endofthelist) is very slow. Instead, you should open the model list:

3. Press the Lower Knob to open the model list:

Delay ReverbDistortNone Dyn EQ Pitch Filter LooperMod

Sweep Echo Reverse Delay

Ducked Delay

Ping Pong Multitap 6

Turn the Upper Knob to select model categories (if applicable). Effectsblockshaveninecategoriestochoosefrom.TheAmp/PreampandCab/IR blockshavetwo.ThePresetEQblockletsyouchoosefromuptosevendifferent EQs.

Turn the Lower Knob to scroll items in the list.

IMPORTANT! If you encounter items in the list that are grayed out or unavailable, this means there isnt enough DSP to accommodate that categoryormodel.Forexample,ifyouvealreadyaddedthreereverbs, you probably wont be able to add a fourth.

4. To close the model list, press the Lower Knob again (or press to cancel).

Moving Blocks 1. If not already there, press VIEW to select Edit view.

2. Turn the Upper Knob to select any block (other than Input or Output) and press ACTION. The block appears picked up and the action panel appears.

116C Pastor of Muppets

BlockBlock Copy Paste

Delay Transistor Tape

Turn t move

On

Snapshot Bypass

3. Turn the Upper Knob to move the block.

4. Press ACTION again (or ) to close the action panel.

Copying/Pasting a Block Blocks can be copied and then pasted onto either another block location, or into an entirelydifferentpreset.

1. From Edit view, select the block you wish to copy and press ACTION.

2. Press Knob 1 (Copy Block).

3. Select the location you wish to paste the blockeven in a different presetand press ACTION.

4. Press Knob 2 (Paste Block).

14

Preset List POD Go has 256 preset locations, split into two setlists of 128 presets eachFactory and User.

1. If not already there, press VIEW to select Play view.

2. Press the Upper Knob to open the Preset list:

Preset List UserFactory

Reorder Snapshot

16C TwoPlus Decades 17A Your Moms Preset

16D Pastor of Muppets

16B Bel Haven, Yo! 16A Team Zerokelvin

Preset

1

Turn the Upper Knob to select the Factory or User preset folder. Turn the Lower Knob to select a preset. Turn Knob 1 (Reorder Preset) to move the selected preset up and down the list. Turn Knob 5 (Snapshot) to select Snapshot 1-4 without having to be in Snap- shot footswitch mode. See Snapshots for more information.

Saving/Naming a Preset SHORTCUT: To quickly save any changes to the current preset, press and ACTION together twice.

1. Press and ACTION together to open the Save Preset screen:

Save Preset

Setlist Destination

Factory T

Cancel SaveCharacterDelete

16C TwoPlus Decades

U

S eD c a d e sT w o P ul s

Turn the Upper Knob to move the cursor left and right. Turn Knob 4 (Character) to change the selected character. Press Knob 2 (Delete) to delete the selected character and shift all following characters to the left.

SHORTCUT: Press Knob 4 (Character) to cycle through uppercase, lowercase, 0, and [SPACE].

2. Turn Knob 3 (Destination Setlist) and the Lower Knob to choose the setlist and preset location you wish to overwrite. Any of the 256 presets can be overwritten, not just presets in the User setlist.

3. Press Knob 5 (Save).

TIP: You can also change/save the default state of all User presets at once (those called New Preset). Dial in a preset exactly how you like it and from the Save Preset screen, hold ACTION and press Knob 5 (Save). Now every New Preset will be your custom default preset. Youll have a great starting point to create new original tones.

15

TAP Tempo Press TAP/TUNER repeatedly to set the tempo in BPM (Beats Per Minute). Certain Delay and Modulation parameters, such as Time and Speed, can be represented withfixednumericvalues(msorHz)ornotevalues(1/4-note,dotted1/8-note,etc.). When set to note values, the parameter will follow Tap Tempo or incoming (USB) MIDI clock. Press the parameter knob to toggle between ms (or Hz) and note values.

[37%]1/16

Delay Tr

FeedbackTime W

[37%]507 ms

Delay Tr

FeedbackTime W

The current tempo can also be set from Global Settings > MIDI/Tempo.

SHORTCUT: From Edit view, press TAP to briefly display Tempo parameters.

Tempo

Tempo BPM

120.0Per Preset

Knob Parameter Description

4 Tempo Choose whether the tempo is stored and recalled with each snapshot, recalled with each preset, or is applied globally across all presets and snapshots.

5 BPM Depending on the Knob 4 (Tempo) setting, this Beats Per Minute value is saved per snapshot, per preset, or globally.

The Tuner 1. Hold the TAP/TUNER switch until the Tuner screen appears:

Tuner

G

Output Reference

440 HzMute

Type

Fine

2. Pluck an individual string on your guitar. Whenthecoloredboxisleftofcenter,yourstringisflat.Whenthecoloredboxis rightofcenter,yourstringissharp.Whenthecoloredboxapproachesthecorrect tuning,asecondsmallercoloredboxcanbeusedformoreprecision.Whenboth arrows are illuminated, your string is perfectly in tune.

3. To exit the Tuner, step on any footswitch. All tuner settings are global.

Tuner Settings Knob Parameter Description

1 Output Determines whether your guitar is muted completely (Mute) or audible with no processing applied (Bypass) while tuning

2 Reference If youd like to tune to a reference other than standard 440 Hz, select from 425 to 455 Hz.

3 Type ChoosefromFine(color-changingneedletunerwithfine tuningbar),Coarse(color-changingneedletunerwithnofine tuning bar), and Strobe.

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The Blocks Input and Output TheInputandOutputblocksappearatthefarleftandrightofyoursignalflow.The Input and Output block settings are saved per preset.

Input Output

From Edit view, turn the Upper Knob to select the Input block and then turn the Lower Knob to change the input.

Guitar+Wireless POD Go Wireless users should choose Guitar+Wireless so both the GUITAR IN and G10T wireless transmitter are active

Guitar Choose this option to receive input only from the 1/4″ GUITAR IN

Wireless (POD Go Wireless) Choose this Wireless option to receive input only from the G10T wireless transmitter

USB 3/4 USB inputs 3/4 can be used for re-amping, or processing tracks from your Mac or Windows DAW software. See USB Audio/MIDI

NOTE: POD Go also receives input from USB 1/2, but its dedicated for monitoring audio from your computer (or iPad) and bypasses all processing blocks. As such, USB 1/2 is not available as an input block source.

TIP: POD Go Wireless users can choose Guitar for some presets and Wireless forothers,effectivelyturningtheInputblockintoaninputswitcher.

Input Settings Knob Parameter Description

1 Gate TurnstheInputnoisegateonandoff.

2 Threshold Sets the input level at which the noise gate acts on the signal. Ifyourguitargetscutoffabruptly,turntheThresholddown.

3 Decay Determines how abruptly the noise gate is applied once the signal drops below the threshold level.

Output Settings Knob Parameter Description

1 Pan Sets the balance between the left and right outputs. If youre only running the LEFT/MONO output, leave this set to Center.

2 Level Sets the overall level of the entire preset.

Amp/Preamp Every preset has one Amp or Preamp block. Amp blocks contain both preamp and power amp modeling; Preamp blocks contain only preamp modeling. By default, changing an Amp or Preamp model will automatically load a matching model in the Cab block, but this behavior can be changed in the Global Settings > Preferences menu.

Amp Preamp

Amp/Preamp Models (Mono) Model Based On*

WhoWatt 100 Hiwatt DR-103 Brill

Soup Pro Supro S6616

Stone Age 185 Gibson EH-185

Voltage Queen Victoria Electro King

Tweed Blues Nrm Fender Bassman (normal channel)

Tweed Blues Brt Fender Bassman (bright channel)

Fullerton Nrm Fender5C3TweedDeluxe(normalchannel)

Fullerton Brt Fender5C3TweedDeluxe(brightchannel)

Fullerton Jump Fender5C3TweedDeluxe(jumped)

Grammatico Nrm Grammatico LaGrange (normal channel)

Grammatico Brt Grammatico LaGrange (bright channel)

Grammatico Jump Grammatico LaGrange (jumped)

US Small Tweed Fender Champ

US Princess Fender Princeton Reverb

US Deluxe Nrm FenderDeluxeReverb (normal channel)

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Amp/Preamp Models (Mono) Model Based On*

US Deluxe Vib FenderDeluxeReverb(vibratochannel)

US Double Nrm Fender Twin Reverb (normal channel)

US Double Vib Fender Twin Reverb (vibrato channel)

Mail Order Twin Silvertone 1484

Divided Duo 13 JRT 9/15

Interstate Zed Dr Z Route 66

Derailed Ingrid TrainwreckCircuitsExpress

Jazz Rivet 120 Roland JC-120 Jazz Chorus

Essex A15 Vox AC-15

Essex A30 VoxAC-30withtopboost

A30 Fawn Nrm VoxAC-30Fawn(normalchannel)

A30 Fawn Brt VoxAC-30Fawn(brightchannel)

Matchstick Ch1 Matchless DC30 (channel 1)

Matchstick Ch2 Matchless DC30 (channel 2)

Matchstick Jump Matchless DC30 (jumped)

Mandarin 80 Orange OR80

Brit J45 Nrm Marshall JTM-45 (normal channel)

Brit J45 Brt Marshall JTM-45 (bright channel)

Brit Trem Nrm Marshall JTM-50 (normal channel)

Brit Trem Brt Marshall JTM-50 (bright channel)

Brit Trem Jump Marshall JTM-50 (jumped)

Brit Plexi Nrm Marshall Super Lead 100 (normal channel)

Brit Plexi Brt Marshall Super Lead 100 (bright channel)

Brit Plexi Jump Marshall Super Lead 100 (jumped)

Brit P75 Nrm Park 75 (normal channel)

Brit P75 Brt Park 75 (bright channel)

Brit 2204 Marshall JCM-800

Placater Clean Friedman BE-100 (clean channel)

Placater Dirty Friedman BE-100 (BE/HBE channel)

Amp/Preamp Models (Mono) Model Based On*

Cartographer Ben Adrian Cartographer

German Mahadeva Bogner Shiva

German Ubersonic Bogner berschall

Cali Texas Ch 1 MESA/Boogie Lone Star (clean channel)

Cali Texas Ch 2 MESA/Boogie Lone Star (drive channel)

Cali IV Rhythm 1 MESA/Boogie Mark IV (channel I)

Cali IV Rhythm 2 MESA/Boogie Mark IV (channel II)

Cali IV Lead MESA/Boogie Mark IV (lead channel)

Cali Rectifire MESA/BoogieDualRectifier

Archetype Clean Paul Reed Smith Archon (clean channel)

Archetype Lead Paul Reed Smith Archon (lead channel)

ANGL Meteor ENGL Fireball 100

Solo Lead Clean Soldano SLO-100 (clean channel)

Solo Lead Crunch Soldano SLO-100 (crunch channel)

Solo Lead OD Soldano SLO-100 (overdrive channel)

PV Panama Peavey 5150

Revv Gen Purple Revv Generator 120 (purple [gain 1] channel)

Revv Gen Red Revv Generator 120 (red [gain 2] channel)

Das Benzin Mega Diezel VH4 (mega chanel)

Das Benzin Lead Diezel VH4 (lead chanel)

Line 6 Elektrik Line 6 Original

Line 6 Doom Line 6 Original

Line 6 Epic Line 6 Original

Line 6 2204 Mod Line 6 Original

Line 6 Fatality Line 6 Original

Line 6 Litigator Line 6 Original

Line 6 Badonk Line 6 Original

Ampeg B-15NF AmpegB-15NFPortaflex

Ampeg SVT Nrm Ampeg SVT (normal channel)

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Amp/Preamp Models (Mono) Model Based On*

Ampeg SVT Brt Ampeg SVT (bright channel)

Ampeg SVT-4 Ampeg SVT-4 PRO

Woody Blue Acoustic 360

Agua 51 Aguilar DB51

Cali Bass MESA/Boogie M9 Carbine

Cali 400 Ch1 MESA/Boogie Bass 400+ (channel 1)

Cali 400 Ch2 MESA/Boogie Bass 400+ (channel 2)

G Cougar 800 Gallien-Krueger GK 800RB

Del Sol 300 Sunn Coliseum 300

Busy One Ch1 Pearce BC-1 preamp (channel 1)

Busy One Ch2 Pearce BC-1 preamp (channel 2)

Busy One Jump Pearce BC-1 preamp (jumped)

Studio Tube Pre Requisite Y7 mic preamp (Preamp list only)

Tonestack and deeper amp parameters found on subsequent pages may differ depending on the amp model selected.

Common Amp Settings Parameter Description

Master Adjusts the amount of overall amp output level, as well as power amp distortion. This parameter is highly interactive with all other power ampparametersthelowertheMasterisset,thelesseffecttheother controls will have.

Sag LowerSagvaluesofferatighterresponsivenessforfastermetal performances; higher values provide more touch dynamics & sustain forbluesandclassicrockriffs.

Hum Controls how much heater hum and AC ripple interacts with your tone. At higher settings, things get freaky.Ripple

Bias Changes the bias of the power tubes. Lower values achieve a colder ClassABbiasing.Atmaximum,theampisoperatinginClassA.

Bias X Determines how the power amp tubes voicing reacts when pushed hard. Set low for a tighter feel. Set high for more tube compression. This parameter is highly reactive with the Drive and Master settings.

Cab/IR By default, changing an Amp or Preamp model will automatically load a matching model in the Cab block, but this Link Amp/Cab behavior can be changed within the Global Settings > Preferences menu. Impulse Responses are mathematical functions representing the sonic measurements ofspecificaudiosystems (forPODGo,acousticguitarbodyresonanceorspeaker cabinet and microphone combinations). POD Go can load and store up to 128 custom or third-party IRs at a time.

Cab Impulse Response

Cab Models (Mono) Model Based On* Soup Pro Ellipse 1x6x9″SuproS6616 1×8 Small Tweed 1×8″Fender Champ 1×10 US Princess 1×10″FenderPrincetonReverb 1×12 Field Coil 1×12″GibsonEH185 1×12 Fullerton 1×12″Fender5C3TweedDeluxe 1×12 Grammatico 1×12″GrammaticoLaGrange 1×12 US Deluxe 1×12″FenderDeluxeOxford 1×12 US Princess 1×12″FenderPrincetonReverb 1×12 Celest 12H 1×12″13JRT9/15G12H30 1×12 Blue Bell 1×12″Vox AC-15 Blue 1×12 Lead 80 1×12″BognerShivaCL80 1×12 Cali IV 1×12″MESA/BoogieMkIV 1×12 Cali EXT 1×12″MESA/BoogieEVM12L 2×12 Double C12N 2×12″FenderTwinC12N 2×12 Mail C12Q 2×12″Silvertone 1484 2×12 Interstate 2×12″DrZZBestV30 2×12 Jazz Rivet 2×12″RolandJC-120 2×12 Silver Bell 2×12″VoxAC-30TBSilver

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Cab Models (Mono) Model Based On* 2×12 Blue Bell 2×12″VoxAC-30FawnBlue 2×12 Match H30 1×12″Matchless DC-30 G12H30 2×12 Match G25 1×12″MatchlessDC-30Greenback25 4×10 Tweed P10R 4×10″FenderBassman P10R 4×12 WhoWatt 100 4×12″HiwattAPFane

4×12 Mandarin EM 4×12″OrangeEminence

4×12 Greenback25 4×12″MarshallBasketweaveG12M25 4×12 Greenback20 4×12″MarshallBasketweaveG12M20 4×12 Blackback30 4×12″Park75G12H30 4×12 1960 T75 4×12″Marshall1960AT75 4×12 Uber V30 4×12″BognerUberkabV30 4×12 Uber T75 4×12″BognerUberkabT75 4×12 Cali V30 4×12″MESA/Boogie4FBV30 4×12 XXL V30 4×12″ENGLXXLV30 4×12 SoloLead EM 4×12″Soldano 1×12 Del Sol 1×12″SunnColiseum 1×15 Ampeg B-15 1×15″Ampeg B-15 1×18 Del Sol 1×18″SunnColiseum 1×18 Woody Blue 1×18″Acoustic360 2×15 Brute 2×15″MESA/Boogie2x15EV 4×10 Ampeg HLF 4×10″AmpegSVT410HLF 6×10 Cali Power 6×10″MESA/BoogiePowerHouse 8×10 Ampeg SVT E 8×10″AmpegSVT

Mic Models Model Based On*

57 Dynamic Shure SM57

409 Dynamic Sennheiser MD 409

421 Dynamic Sennheiser MD 421-U

30 Dynamic Heil Sound PR 30

20 Dynamic Electro-Voice RE20

121 Ribbon Royer R-121

160 Ribbon Beyerdynamic M 160

4038 Ribbon Coles 4038

414 Cond AKG C414 TLII

84 Cond Neumann KM84

67 Cond Neumann U67

87 Cond Neumann U87

47 Cond Neumann U47

112 Dynamic AKG D112

12 Dynamic AKG D12

7 Dynamic Shure SM7

Cab Settings Page Knob Parameter Description

1

1 Mic Selects one of the 16 available mic models.

2 Distance Sets the distance (1 inch to 12 inches) between the mic and the speaker grille.

3 Low Cut Filters a portion of the cabs bass and/or treble frequencies, which can help remove rumble and/or high-end harshness.4 High Cut

5 EarlyReflc Setstheamountofearlyreflections.Highervaluesadd morereflectiveroomsoundtoyourAmptone.

2 1 Level Adjusts the overall output level of the Cab.

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Loading Custom IRs Loading custom impulse responses requires connecting to the POD Go Edit software in your Mac or Windows computer. The POD Go Edit application is available as a free download from line6.com/software.

1. Connect POD Go to your computer via USB and open the POD Go Edit application.

2. Click the Impulses folder.

Impulses

3. Drag one or more IR files from the desktop or any Finder window directly into the POD Go Edit apps Impulses list. POD Go Edit updates the POD Go hardwares IR list automatically. Go to the POD Go Edit apps Preferences to set the preferred behavior for

importing Stereo WAV IRsthere you can choose to import the left or right channeldataofthefile,oramixofbothchannelsforthe(mono)IR.

The imported IR is automatically shortened (or lengthened) to 1,024 samples.

Impulse Response Settings Knob Parameter Description

1 IR Select Selects one of the 128 available impulse responses. If a location contains an IR, its name appears in the inspector header.

2 Low Cut Filters a portion of the IRs bass and/or treble frequencies, which can help remove rumble and/or high-end harshness.3 High Cut

4 Mix Blends the IR signal with the dry signal passed through the IR block. When set to 0%, the path bypasses the IR completely. When set to 100%, the entire path is fed through the IR, and no dry signal is heard.

5 Level Adjusts the overall output level of the IR block. -18.0dB is normal.

Effects PODGohasnearlyalltheeffectsoftheaward-winningHXfamilyofmodelers,aswell asselectedeffectsfromtheclassicDL4,DM4,MM4,andFM4stompboxes and M13, M9, and M5 processors (indicated by the lighter shaded background rowswithinthefollowingeffectstables). Distortion Dynamics EQ Modulation Delay Reverb Pitch/Synth Filter Looper

IMPORTANT!Distortion,Dynamics,andPitch/Syntheffectsareallmono.EQ, Modulation,Delay,Reverb,andFiltereffectsareallstereo.TheLoopercanbe selected as either mono or stereo. Because of this, if you place a distortion (mono only) after a delay or reverb (stereo only), your stereo signal will be collapsed to mono at the distortion block. (Note than Amp/Preamp and Cab/ IR blocks are mono as well.)

From Edit view, turn the Upper Knob to select one of the four effects blocks and then turn the Lower Knob to change its model.

Distortion Models (Mono) Model Based On* Kinky Boost Xotic EP Booster Deranged Master Dallas Rangemaster Treble Booster Minotaur Klon Centaur Teemah! Paul Cochrane Timmy Overdrive Heir Apparent Analogman Prince of Tone Alpaca Rouge Way Huge Red Llama Compulsive Drive Fulltone OCD Dhyana Drive Hermida Zendrive Valve Driver Chandler Tube Driver Horizon Drive Horizon Precision Drive Top Secret OD DOD OD-250 Scream 808 Ibanez TS808 Tube Screamer

Hedgehog D9 MAXON SD9 Sonic Distortion Stupor OD BOSS SD-1 Overdrive Deez One Vintage BOSS DS-1 Distortion (Made-in-Japan)

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Distortion Models (Mono) Model Based On* Deez One Mod BOSS DS-1 Distortion (Keeley modded) Vermin Dist Pro Co RAT KWB Benadrian Kowloon Walled Bunny Distortion Swedish Chainsaw Boss HM-2 Heavy Metal Distortion (MIJ) Arbitrator Fuzz Arbiter Fuzz Face

Pocket Fuzz Jordan Boss Tone Fuzz Bighorn Fuzz 73Electro-HarmonixRamsHeadBigMuffPi Triangle Fuzz Electro-HarmonixBigMuffPi Ballistic Fuzz Euthymia ICBM Fuzz Industrial Fuzz Z.VexFuzzFactory Tycoctavia Fuzz Tycobrahe Octavia Wringer Fuzz Garbages modded BOSS FZ-2 Thrifter Fuzz Line 6 Original Xenomorph Fuzz Subdecay Harmonic Antangonizer Megaphone Megaphone Bitcrusher Line 6 Original Ampeg Scrambler Ampeg Scrambler Bass Overdrive ZeroAmp Bass DI Tech 21 SansAmp Bass Driver DI V1 Obsidian 7000 Darkglass Electronics Microtubes B7K Ultra Tube Drive Chandler Tube Driver Screamer Ibanez Tube Screamer Overdrive DOD Overdrive/Preamp 250 Classic Dist ProCo RAT Heavy Dist BOSS Metal Zone Colordrive Colorsound Overdriver Buzz Saw Maestro Fuzz Tone Facial Fuzz Arbiter Fuzz Face Jumbo Fuzz VoxToneBender

Distortion Models (Mono) Model Based On* Fuzz Pi Electro-HarmonixBigMuffPi Jet Fuzz Roland Jet Phaser L6 Drive Colorsound Overdriver (modded) L6 Distortion Line 6 Original Sub Oct Fuzz PAiA Roctave Divider Octave Fuzz Tycobrahe Octavia

Dynamics Models (Mono) Model Based On* Deluxe Comp Line 6 Original Red Squeeze MXR Dyna Comp Kinky Comp Xotic SP Compressor Rochester Comp Ashly CLX-52, created in conjunction with Billy Sheehan LA Studio Comp Teletronix LA-2A

3-Band Comp Line 6 Original Noise Gate Line 6 Original Hard Gate Line 6 Original Horizon Gate Horizon Precision Drive — Gate Circuit Autoswell Line 6 Original Tube Comp TeletronixLA-2A Red Comp MXR Dyna Comp Blue Comp BOSS CS-1 Blue Comp Treb BOSS CS-1 (Treble switch on) Vetta Comp Line 6 Original Vetta Juice Line 6 Original Boost Comp MXR Micro Amp

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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EQ Models (Stereo) Model Based On* Simple EQ Line 6 Original Low and High Cut Line 6 Original Low/High Shelf Line 6 Original Parametric Line 6 Original Tilt Line 6 Original 10 Band Graphic MXR 10-Band Graphic EQ Cali Q Graphic MESA/Boogie Mark IV Graphic EQ Acoustic Sim Line 6 Original

Modulation Models (Stereo) Model Based On* Optical Trem Fender optical tremolo circuit 60s Bias Trem VoxAC-15Tremolo Tremolo/Autopan BOSS PN-2 Harmonic Tremolo Line 6 Original Bleat Chop Trem Lightfoot Labs Goatkeeper Script Mod Phase MXR Phase 90 Pebble Phaser Electro-HarmonixSmallStonephaser Ubiquitous Vibe Shin-ei Uni-Vibe

Deluxe Phaser Line 6 Original Gray Flanger MXR 117 Flanger Harmonic Flanger A/DA Flanger Courtesan Flange Electro-HarmonixDeluxeEM Dynamix Flanger Line 6 Original Chorus Line 6 Original 70s Chorus BOSS CE-1 PlastiChorus Modded Arion SCH-Z chorus Trinity Chorus Dytronics Tri-Stereo Chorus Bubble Vibrato BOSS VB-2 Vibrato Vibe Rotary Fender Vibratone

Modulation Models (Stereo) Model Based On* 122 Rotary Leslie 122 145 Rotary Leslie 145 Double Take Line 6 Original AM Ring Mod Line 6 Original Pitch Ring Mod Line 6 Original Pattern Tremolo Line 6 Original Panner Line 6 Original Bias Tremolo 1960VoxAC-15Tremolo Opto Tremolo 1964FenderDeluxeReverb Script Phase MXR Phase 90 (script logo version) Panned Phaser Ibanez Flying Pan Barberpole Line 6 Original Dual Phaser Mu-Tron Bi-Phase U-Vibe Shin-ei Uni-Vibe Phaser MXR Phase 90 Pitch Vibrato BOSS VB-2 Dimension Roland Dimension D Analog Chorus BOSS CE-1 Tri Chorus Dytronics Tri-Stereo Chorus Analog Flanger MXR Flanger Jet Flanger A/DA Flanger AC Flanger MXR Flanger 80A Flanger A/DA Flanger Frequency Shift Line 6 Original Ring Modulator Line 6 Original Rotary Drum Fender Vibratone Rotary Drum/Horn Leslie 145

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Delay Models (Stereo) Model Based On* Simple Delay Line 6 Original Mod/Chorus Echo Line 6 Original Dual Delay Line 6 Original Multitap 4 Line 6 Original Multitap 6 Line 6 Original Ping Pong Line 6 Original Sweep Echo Line 6 Original Ducked Delay TC Electronic 2290 Reverse Delay Line 6 Original Vintage Digital Line 6 Original Vintage Swell Line 6 Original Pitch Echo Line 6 Original Transistor Tape MaestroEchoplexEP-3 Harmony Delay Line 6 Original Bucket Brigade BOSS DM-2 Adriatic Delay BOSS DM-2 w/ Adrian Mod Adriatic Swell Line 6 Original Elephant Man Electro-HarmonixDeluxeMemoryMan Multi Pass Line 6 Original Glitch Delay Line 6 Original Ping Pong Legacy Line 6 Original Dynamic TC Electronic 2290 Stereo Line 6 Original Digital Line 6 Original Dig w/Mod Line 6 Original Reverse Line 6 Original Lo Res Line 6 Original Tube Echo MaestroEchoplexEP-1 Tape Echo MaestroEchoplexEP-3

Delay Models (Stereo) Model Based On* Sweep Echo Line 6 Original Echo Platter Binson EchoRec

Analog Echo BOSS DM-2 Analog w/Mod Electro-HarmonixDeluxeMemoryMan Auto-Volume Echo Line 6 Original Multi-Head Roland RE-101 Space Echo

Reverb Models (Stereo) Model Based On* Glitz Line 6 Original Ganymede Line 6 Original Searchlights Line 6 Original Plateaux Line 6 Original Double Tank Line 6 Original Plate Line 6 Original Room Line 6 Original Chamber Line 6 Original Hall Line 6 Original Echo Line 6 Original Tile Line 6 Original Cave Line 6 Original Ducking Line 6 Original Octo Line 6 Original 63 Spring Line 6 Original Spring Line 6 Original Particle Verb Line 6 Original

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Pitch/Synth Models (Mono) Model Based On* Pitch Wham Digitech Whammy

Twin Harmony Eventide H3000 Simple Pitch Line 6 Original Dual Pitch Line 6 Original 3 Note Generator Line 6 Original 4 OSC Generator Line 6 Original Bass Octaver EBS OctaBass Smart Harmony Eventide H3000 Octi Synth Line 6 Original

Synth O Matic Line 6 Original

Attack Synth Korg X911 Guitar Synth

Synth String Roland GR700 Guitar Synth

Growler Line 6 Original

Filter Models (Stereo) Model Based On* Mutant Filter Musitronics Mu-Tron III Mystery Filter Korg A3 Autofilter Line 6 Original Asheville Pattrn Moog Moogerfooger MF-105M MuRF Filter Voice Box Line 6 Original

V Tron Musitronics Mu-Tron III

Q Filter Line 6 Original

Seeker ZVexSeekWah

Obi Wah Oberheimvoltage-controlledS&Hfilter

Tron Up Musitronics Mu-Tron III (up position)

Tron Down Musitronics Mu-Tron III (down position)

Throbber Electrix Filter Factory

Filter Models (Stereo) Model Based On*

Slow Filter Line 6 Original

Spin Cycle Craig Andertons Wah/Anti-Wah

Comet Trails Line 6 Original

Common FX Settings Parameter Description

Drive Adjusts the amount of overdrive, distortion, or fuzz.

Bass Adjusts the bass level.

Mid Adjusts the midrange level.

Treble Adjusts the treble level.

Speed

Adjuststhespeedoftheeffect,withhighersettingsprovidingfaster rates. Press the knob to toggle between Hz and note values. ChoosingaHzvalueprovidesaspecificmodulationspeedincycles per second; choosing a note value provides a time based on the current tempo. Not all Speed parameters can be synced to note values, as they may be non-linear and highly interactive.

Rate Adjuststherateoftheeffect,withhighersettingsprovidingfaster rates. Press the knob to toggle between numeric and note values. Not all Rate parameters can be synced to note values, as they may be non-linear and highly interactive.

Time

Adjusts the delay/repeat time, with higher settings providing longer delays. Press the knob to toggle between ms and note values. Choosingamsvalueprovidesaspecifictimeinmilliseconds; choosing a Note Division value provides a time based on the current tempo. With a note division value, this parameters value is retained when changing models.

Scale

Delay models with multiple taps have a Scale parameter for each tap, adjustingitstimerelativetothemainTimevalue.Forexample,ifthe Time parameter is set to 500ms, setting T1 Scale to 50% will mean that tap will be at 250ms. If you then adjust the Time parameter, the timing of all the taps will scale accordingly.

Depth Adjusts the intensity of the modulation. Higher settings result in more extremepitchbending,wobble,orthrob,dependingontheeffect.

Feedback Adjuststheamountofdelayedsignalfedbackintotheeffect.Higher settingscanprovidemoredramatictextures.

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

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Parameter Description

Decay Setsthelengthoftimethereverbeffectsustains.

Predelay Determinespredelayorthetimebeforethereverbeffectisheard.

Spread

Spreaddiffersslightlyamongstereodelayeffects.Formostdelays, itadjustshowwidelytherepeatsbounceleftandright.Forexample, with the Ping Pong Delay, 0 is in the middle (mono), and 10 is full left to right panning for the repeats. Formodulatedstereodelays,SpreadaffectstheLFOs(lowfrequency oscillators) stereo modulation behavior. At 0, the LFOs are in sync. At 10, the two LFOs are 180 degrees out of sync, so that when one side is modulating up, the other side is modulating down.

Headroom Somemodanddelaypedalsinternalsignalpathsexhibitabitofgrit, especially when placed after a high-gain distortion block. Negative values increase the perceived amount of grit; positive values clean things up a bit. At 0dB, the model behaves like the original pedal.

Low Cut Filters a portion of the blocks bass and/or treble frequencies, which can help remove rumble and/or high-end harshness.High Cut

Mix Blendstheeffectedwetsignalvs.thedrysignalpassedthrough theblock.Whensetto0%,thepathbypassestheeffectcompletely. Whensetto100%,theentirepathisfedthroughtheeffect,andno dry thru signal is heard.

Level

Adjuststheoveralloutputleveloftheeffectsblock.Becarefulnotto boost this parameter too high on multiple blocks, as digital clipping could occur. You should typically leave this at 0.0dB for most blocks. Where the original pedals level or volume knob behavior doesnt really apply to dB values, 0.0-10 may be used.

Trails Trails Off: Any delay repeats or reverb decays are instantly muted when the block is bypassed. Trails On: Any delay repeats or reverb decays continue to decay naturally when the block is bypassed, or a differentsnapshotisselected.

Looper AsinglemonoorstereoLoopercanbeaddedasoneofthefoureffectsblocks.

Looper Models (Mono or Stereo) Model Based On* 6 Sw Mono Looper Line 6 Original 1 Sw Mono Looper Line 6 Original 6 Sw Stereo Looper Line 6 Original 1 Sw Stereo Looper Line 6 Original

Looper Type Max. Loop Length (Full Speed) Max. Loop Length (1/2 Speed)

Mono 40 seconds 80 seconds

Stereo 20 seconds 40 seconds

Looper Settings Knob Parameter Description

1 Playback Adjustslooperplaybacklevel.Youmayfinditusefultoturn this down a bit so your live guitar can be slightly louder.

2 Overdub Relatively sets the level of your loop while overdubbing. For example,ifyourOverdubLevelissetto90%,eachtimeyour loop repeats, its volume will be reduced by 10%, sounding quieter and quieter with each overdub pass.

3 Low Cut Filters a portion of the loops bass and/or treble frequencies, whichcanimprovethemixwithyourliveguitar.4 High Cut

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`6 Switch Looper 1. Add a 6 Switch Looper block to your preset.

2. Press the Looper assigned footswitch to open Looper mode:

BA

DC

1

16C TwoPlus Decades

OverdubPlayback Low Cut High Cut

UNDO 1/2 FULL REV FWD

ONCE SPEED

Switch Description

Step on to start recording a loop. Step on to end the loop and immediately start playback. Step on to overdub additional parts. Step on again to stop playback.

If you make a mistake on your last overdub, step on UNDO to erase it.

Step on to play the recorded loop once through.

Recording at full speed and then switching to 1/2 speed will also drop the loop down one octave. Recording at 1/2 speed will double your looping memory, and switching to full speed will cause the loop to play at double speed (up an octave).

Step on REV/FWD to hear your loop backwards.

3. When finished, press MODE/EDIT/EXIT.

NOTE: If you press while loop playback is stopped, this will always record a new loop, and any previous recording will be discarded.

IMPORTANT! You may change presets while looping, but loop playback will stop unless the preset you select includes the same type of looper block.

1 Switch Looper 1. Add a 1 Switch Looper block to your preset.

2. Press the Looper switch. The LED lights red, indicating the loop is recording.

3. Press the Looper switch again. The LED lights green, indicating the loop is playing back.

4. Press the Looper switch again. The LED lights amber, indicating the loop is in overdub mode. Subsequent presses of the switch toggle between play and overdub mode.

5. While the Looper is in play or overdub mode, press and hold the switch for 1 second. The most recent recording is undone. Holding the switch again will redo the recording.

6. Quickly double-press the Looper switch. Playback/recording stops and the LED lights white, indicating a loop is in memory.

7. While Looper playback/recording is stopped, press and hold the switch. The recording is deleted and the LED lights dim white.

IMPORTANT! You may change presets while looping, but loop playback will stop unless the preset you select includes the same type of looper block.

27

Preset EQ EverypresethasonePresetEQblock,whichoffersthesamemodelsastheEffects blocksEQcategory(withtheexceptionoftheAcousticSimmodel).Notethatweve madethePresetblockEQandEffectsblockEQsiconsdifferent,soyouknowwhich is which!

EQ Models (Stereo) Model Based On* Simple EQ Line 6 Original Low and High Cut Line 6 Original Low/High Shelf Line 6 Original Parametric Line 6 Original Tilt Line 6 Original 10 Band Graphic MXR 10-Band Graphic EQ Cali Q Graphic MESA/Boogie Mark IV Graphic EQ

Wah/Volume Every preset has one Wah block (automatically assigned to EXP 1) and one Volume block (automatically assigned to EXP 2).

EXP 1

EXP 2

WAH

VOL

EXP 1

EXP 2

WAH

VOL

Wah Volume

Move the expression pedal forward and press the hidden toe switch to toggle between EXP 1 (Wah) and EXP 2 (Volume).

Wah Models (Stereo) Model Based On* UK Wah 846 VoxV846 Teardrop 310 Dunlop Cry Baby Fasel model 310 Fassel Dunlop Cry Baby Super

Weeper Arbiter Cry Baby

Chrome VoxV847

Chrome Custom ModdedVoxV847

Throaty RMC Real McCoy 1

Vetta Wah Line 6 Original

Colorful Colorsound Wah-fuzz

Conductor Maestro Boomerang

Volume/Pan Models (Stereo) Model Based On* Volume Pedal Line 6 Original Gain Line 6 Original Pan Line 6 Original Stereo Width Line 6 Original

*See U.S. Registered Trademarks on page 29.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.

28

FX Loop TheFXLoopletsyoudynamically insertyourfavoriteexternalstompboxes(orrack effects)intoanylocationinyourpreset.

FX Loop Enabled FX Loop Bypassed

NOTE: TheFXLoopcanbesetforinstrument(forinsertingstompboxes)orline level operation. See Global Settings > Ins/Outs

FX Loop Settings Knob Parameter Description

1 Send Adjuststhelevelsenttoyourexternaldevice.

2 Return Adjusts the level received at the Return jack.

3 Mix Blends the FX loop signal vs. the dry signal passed through the FX Loop block. When set to 0%, the path bypasses the FX loop completely. When set to 100%, the entire path is fed through the FX loop, and no dry thru signal is heard.

4 Trails

Trails Off:Anexternalstompboxwouldbeinstantlymuted when the FX Loop block is bypassed. Trails On:Anexternal delayorreverbstompboxwouldcontinuetodecaynaturally whentheFXLoopblockisbypassedoradifferentsnapshotis selected.

29

U.S. Registered Trademarks AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraffiliatedwiththem.Thesetrademarksappearsolelyto identify products whose tones and sounds were studied by Line 6 during sound model development.

5150 is a registered trademark of ELVH Inc. Acoustic is a registered trademark of GTRC Services, Inc. Aguilar is a registered trademark David Boonshoft. AKG, and Digitech Whammy are registered trademarks of Harman International Industries, Inc. ArbiterisaregisteredtrademarkofSoundCityAmplificationLLC. Ashly is a registered trademark of Ashly Audio, Inc. Binson,Dytronics,LA-2AandTeletronixareregisteredtrademarksofUniversalAudio,Inc. Beyerdynamic is a registered trademark of Beyer Dynamic GmbH & Co. KG. BognerandberschallareregisteredtrademarksofBognerAmplification. BOSS and Roland are registered trademarks of Roland Corporation U.S. Colorsound is a registered trademark of Sola Sound Limited Corporation, UK. Cry Baby, Dunlop, Fuzz Face, MXR, and Uni-Vibe are registered trademarks of Dunlop Manufacturing, Inc. Darkglass and Microtubes are registered trademarks of Darkglass Electronics, TMI Douglas Castro. DOD is a registered trademark of DOD Electronics Corporation. Dr. Z is a registered trademark of Dr. Z Amps, Inc. EBS is a registered trademark according of EBS Holding. EchoRec is a registered trademark of Nicholas Harris. ElectrixisatrademarkorregisteredtrademarkofIVLTechnologies,Ltd.intheU.S.and/orother jurisdictions. Electro-Harmonix is a registered trademark of New Sensor Corp. Electro-Voice is a registered trademark of Bosch Security Systems, Inc. Eminence is a registered trademark of Eminence Speaker, LLC. EnglisaregisteredtrademarkofBeateAusflugandEdmundEngl. Eventide is a registered trademark of Eventide Inc. Fane is a trademark of Fane International Ltd. Fender, Twin Reverb, Bassman, Champ, Deluxe Reverb, Princeton Reverb, and Sunn are registered trademarks of Fender Musical Instruments Corp. Fulltone is a registered trademark of Fulltone Musical Products, Inc. Gallien-Krueger is a registered trademark of Gallien Technology, Inc. Gibson and Maestro are registered trademarks of Gibson Guitar Corp. Heil Sound is a registered trademark of Heil Sound Ltd. Hiwatt is a registered trademark of 9574565 Canada Inc. Ibanez is a registered trademark of Hoshino, Inc. Klon is a registered trademark of Klon, LLC. Korg is a registered trademark of Korg, Inc.

Leslie is a registered trademark of Suzuki Musical Instrument Manufacturing Co. Ltd. MarshallisaregisteredtrademarkofMarshallAmplificationPlc. Matchless is a registered trademark of Matchless, LLC. MAXON is a registered trademark of Nisshin Onpa Co., Ltd. Mesa/Boogie, Lone Star,andRectifierareregisteredtrademarksofMesa/Boogie,Ltd. Moog and Moogerfooger are registered trademarks of Moog Music, Inc. Musitronics is a registered trademark of Mark S. Simonsen. Mu-Tron is a registered trademark of Henry Zajac. Neumann is a registered trademark of Georg Neumann GmbH. Orange is a registered trademark of Orange Brand Services Limited. Park is a registered trademark of AMP RX LLC. Paul Reed Smith and Archon are registered trademarks of Paul Reed Smith Guitars, LP. Peavey is a registered trademark of Peavey Electronics Corporation. RevvisaregisteredtrademarkofRevvAmplificationInc. RMC is a registered trademark of Richard McClish. Royer is a registered trademark of Bulldog Audio, Inc. DBA Rover Labs. Sennheiser is a registered trademark of Sennheiser Electronic GmbH & Co. KG. Shure is a registered trademark of Shure Inc. Silvertone is a registered trademark of Samick Music Corporation. Supro is a registered trademark of DAG Audio Group LLC. TC Electronic is a registered trademark of MUSIC Group IP Ltd. Tech 21 is a registered trademark of Tech 21 Licensing Ltd. Timmy is a registered trademark of Paul Cochrane AKA PAULCAUDIO. Trainwreck is a registered trademark of of Scott Alan Fischer and Mona Fischer. Tube Screamer is a registered trademark of Hoshino Gakki Co. Ltd. Tycobrahe is a registered trademark of Kurt Stier. VoxisaregisteredtrademarkofVoxR&DLimited. Way Huge is a registered trademark of Saucy Inc. Xotic is a registered trademark of Prosound Communications, Inc.

30

Snapshots On Play and Edit views, a small camera icon appears on the right side of the screen. Its number indicates the current snapshot.

1

What are Snapshots? Snapshots are presets within a preset. Imagine you have eight pet octopuses, all slithering around your amp and pedalboard. Instead of tap-dancing on your pedals (and accidentally stepping on a tentacle), you shout Okay, gangheres the verse… now! and your octopuses switch some pedals on, switch other pedals off, and tweak all your amps and pedals knobs tomake the best possible settings for your songs verse, all seamlessly with spillover delay and reverb trails. Then you shout Ready for the chorus… now! and your octopuses instantly tweak everything for your songs chorus. Thats the power of snapshots.

The only thing your octopuses/snapshots cant do is rearrange your pedalboard or swapoutaneffectorampforadifferentone(unlessbotheffectblocksexistinthe same preset).

Each preset can have up to 64 parameters assigned to Snapshots; hence, eight octopuses with eight tentacles each. The octopuses can remember four separate groupsofon/offstatusesandsettingtweaksperpreset(say,foryourverse,chorus, solo, and overindulgent noise segue); that is, POD Go has four snapshots per preset. Each of the four snapshots in POD Go stores and recalls the state of certain elements in the current preset, including:

Block BypassThe bypass (on/off) state of all processing blocks (except Loopers)

NOTE: The bypass state of blocks is automatically stored and recalled per snapshot.Optionally, youcanexcludeablocksbypass state frombeing affectedbysnapshotsbychoosingOfffortheSnapshotBypassoption available for the selected block by pressing ACTION while in Edit view.

Parameter ControlThe values of any parameters assigned to controllers (up to 64 per preset), including the Snapshot controller

TempoThe current system tempo, if Global Settings > MIDI/Tempo > Tempo Select is set to Per Snapshot. (By default, its set to Per Preset)

Dependingonhowyouconfigurethem,snapshotscanactasfourvariationsofthe sametone,fourdrasticallydifferenttones,oranycombinationthereofallwithinthe same preset. In many cases, a single presets snapshots may accommodate all the various tones required for a song.

Using Snapshots 1. From Preset footswitch mode, press and together to enter

Snapshot mode.

2. Step on A, B, C, or D to select a different Snapshot (1, 2, 3, or 4).

3. Adjust the preset by doing one or more of the following: Turn one or more effects on or off by pressing stomp mode footswitches

or pressing the Upper Knob in Edit View. Snapshots remember every blockson/offstate.

To adjust a parameter AND have it automatically update per snapshot, press and turn the knob.Snapshotsrememberthevaluesofupto64effects parameters. The parameters value appears white and in brackets, indicating a controllers assigned to itin this case, the Snapshots controller:

[37%]1/16

Delay Transistor Tape 2.948%67%

FeedbackTime Wow/Flutr Scale Spread

31

SHORTCUT: Hold ACTION and press a parameter knob to quickly remove any controller assignment (including the Snapshots controller). The value appears in color, indicating no controller is assigned to it.

NOTE: You can also manually assign the Snapshots controller. From the Bypass/Control page, select the desired block and parameter and turn Knob 2 (Controller) to select Snapshot.

4. Switch back to the snapshot you started with. POD Go instantly and seamlessly returns to its previous state. Remember to save your preset to retain all your snapshot settings.*

*NOTE: If youve changed Global Settings > Preferences > Snapshot Edits toDiscard,youmustsavethepresetbeforeselectingadifferentsnapshot; otherwise any edits will be discarded!

Saving Snapshots Press and ACTION together twice to save the preset. Saving a preset stores all of its 4 snapshots automatically.

NOTE: Selecting a preset recalls the snapshot that was active when the preset was saved.

Tips for Creative Snapshot Use Theobvioususecaseforsnapshotsisdesignatingthemtospecificsections

ofyoursong.Forexample,Snapshot1couldbetheIntro,Snapshot2might be Verse 1, Snapshot 3 might be the Chorus, and so on.

Turn any Delay, Reverb, and/or FX Loops blocks Trails parameter to On for seamless spillover between snapshots.

Worried that further tweaking might make your tone worse, not better? Snapshots are a great way to compare minor changes between tones without havingtotakeyourhandsofftheguitar.

Setdifferent keys inHarmonyDelayblocksor intervals inPitchblocksper snapshot.

Havingdifficultymaintainingconsistentvolumethroughoutasong?Setoneof theeffectsGainorLevelparameterpersnapshot.

Exclude a blocks bypass from being affected by snapshots by setting its SnapshotBypasstoOff(whileinEditview,selecttheblockandpressACTION).

Alternatively, you can change snapshots via USB MIDI. See MIDI CC on page 43.

32

Bypass/Control Bydefault,addinganeffectsblockautomaticallyassignsittothenextunusedstomp footswitch. (You can disable this FS Auto Assign behavior within the Global Settings > Switches/Pedals menu.) In addition, the Wah block is automatically controlled by EXP 1 and the Volume Pedal block is automatically controlled by EXP 2, and both the Wah and Volume Pedal blocks have their Bypass assigned to the on-board pedals ToeSwitch.ThePitch-PitchWham,whenaddedtoanEffectsblock,isautomatically controlled by EXP 1. However, you may also assign footswitches to toggle between two values of a given parameter or parameters, or even have parameters instantly change when selecting differentsnapshotswithinapreset. Ifaparameterhasacontrollerassigned,itsvalueappearsinwhitetextwithbrackets:

[37%]1/16

Delay Transistor Tape 2.948%67%

FeedbackTime Wow/Flutr Scale Spread

Quick Bypass Assign 1. While in Edit view, turn the Upper Knob to select the block you

wish to assign to a footswitch.

2. While in Stomp footswitch mode, press and hold a stomp switch under the display until the following dialog appears:

Freq

110 Hz

Cancel OK

Assign footswitch to this block? Merge

Assign If you want to replace any other blocks that may already be assigned to the foot- switch, turn Knob 4 (Assign) to Replace. Otherwise, leave it set to Merge, which allows for multiple blocks to be assigned to the same switch.

3. Press Knob 5 (OK).

Quick Controller Assign 1. Press and hold the knob for the parameter you wish to control.

POD Go jumps to the Bypass/Control page and displays the parameter at Knob 1 (Parameter).

1Bypass/Control

Delay Transistor Tape Feedback

Parameter Learn

EXP 2 0% 100%

Controller Min Value Max Value

2. Press Knob 5 (Learn) and then move a connected expression pedal or press a stomp footswitch. The learned pedal or switch appears above Knob 2 (Controller).

3. If desired, turn Knob 3 (Min Value) and Knob 4 (Max Value) to set the range you wish to control.

TIP: To reverse controller behavior, swap the min and max values.

4. Press to return to the Home screen.

SHORTCUT: To assign a parameter to the Snapshots controller, its even easierjust push and turn the parameters knob.

SHORTCUT: Hold ACTION and press a parameter knob to quickly remove any controller assignment (including the Snapshots controller).

33

Manual Bypass/Control Assignment 1. Press PAGE and PAGE together to open the Menu.

2. Press Knob 1 (Bypass/Control). The Bypass/Control screen looks very similar to the Edit screen:

1Bypass/Control

Distortion Heir Apparent Bypass

Parameter Learn

Footswitch 1

Switch

3. Turn the Upper Knob to select the block you want to control.

4. Turn Knob 1 (Parameter) to choose the type of parameter you want to control. Input and Output blocks cannot be bypassed, but their parameters can be assigned to controllers.

When Knob 1 (Parameter) is set to Bypass, turn Knob 2 (Switch) to select the desired footswitch or expression pedal to turn the block on and off.

None Removes the bypass assignment.

FS1-FS8 SteppingontheStompmodefootswitchturnstheblockonandoff. Note that FS7 or FS8 wont function unless Global Settings > Switches/ Pedals > EXP 2 FS7/8 is set to FS7/8.

EXP 1, EXP 2 Movingtheexpressionpedalautomaticallyenables(orbypasses)the block. Selecting EXP 1 or 2 displays Knob 3 (Position) and Knob 4 (Wait). Positiondetermineswhere in theexpressionpedals travel theblock is enabled or bypassed. 0% is heel down; 99% is toe down. Wait determines how long POD Go waits before bypassing the block; for example,youwouldntwantthewahtoturnoffeverytimeyoutouched the heel down position in your big funk wah solo.

TIP:Bydefault,bypasstogglingfortheblockviaEXP1orEXP2isconfigured forheeldown=offbehavior.Toreversebypassbehavior,presstheUpper Knob (bypass). In such case, the block will be bypassed when moving the expressionpedalpasttheconfiguredPositionlocation.Sinceitispossible toconfigurethebypassofmultipleblockstobeassignedtoanexpression pedal,youcanseteachblocksPositionvaluedifferently-therebyallowing thepedaltoturnsomeblocksonandothersoffatdifferentpositionsinthe pedals travel.

When Knob 1 (Parameter) is set to anything but Bypass, turn Knob 2 (Controller) to select the desired footswitch or expression pedal.

None Removes the controller assignment.

EXP 1 or 2 Expressionpedalsarethemostcommontypeofcontroller,used to control volume, wah, pitch wham, etc.

FS1-FS8 Stepping on a Stomp mode footswitch can toggle between a parametersminandmaxvalues.

Snapshot Although all controller-assigned parameters are updated per snapshot, an additional Snapshots controller is available when other controllers are already used.

If desired, turn Knob 3 (Min Value) and Knob 4 (Max Value) to set the range you wish to control.

TIP: To reverse controller behavior, swap the min and max values.

5. Press to return to the Home screen.

Clearing a Blocks Assignments Clearing a blocks assignments clears both its footswitch (bypass) assignment and any of its parameters controller assignments.

1. From the Bypass/Control screen, select the block whose assignments you want to clear and press ACTION.

2. Press Knob 1 (Clear Assign).

34

Clearing All Assignments 1. From the Bypass Assign screen, press ACTION.

2. Press Knob 2 (Clear All Assign) to clear all block assignments. The following dialog appears:

Freq

110 Hz

Cancel OK

Clear all assignments?

3. Press Knob 5 (OK).

IMPORTANT! Clearing All Controller Assignments also removes the Wah, Volume,andanyotherexistingcontrollerassignmentsfromEXP1andEXP2. Use this function with caution!

Swapping Stomp Footswitches If you want to change the location of Stomp mode footswitches (especially those with multiple items assigned), instead of manually reassigning everything, you can quickly swap all assignments between two stomp footswitches.

1. While in Stomp footswitch mode, press and hold any two Stomp footswitches until the following dialog appears:

Freq

110 Hz

Cancel OK

Swap footswitch assignments?

2. Press Knob 5 (OK).

35

Global EQ The Global EQ built into POD Go has three fully parametric bands plus variable low andhighcutfilters,andisusedforcompensatingforthewidedisparityinacoustic environments on tour or when traveling from studio to studio.

NOTE: Global EQ is applied to all presets and is only heard from the MAIN OUT and PHONES outputs; it is never heard from the Amp Out or USB outputs.

1. Press PAGE and PAGE together to open the Menu.

2. Press Knob 4 (Global EQ). The Global EQ screen appears:

GLOBAL EQ OFF GLOBAL EQ ON Global EQ

Low

Freq Q Gain

0.7110 Hz 0.0dB

Global EQ

Low

Freq Q Gain

0.7110 Hz 0.0dB

3. Press the Upper Knob to turn Global EQ on and off.

4. Turn the Upper Knob to select the desired EQ bandLow Cut, Low, Mid, High, or High Cut.

5. Turn Knobs 1-3 to adjust the selected EQ band.

Resetting Global EQ ResettingtheGlobalEQreturnsitssettingstofactorydefault(flat).

1. From the Global EQ screen, press ACTION.

2. Press Knob 1 (Reset EQ). The following dialog appears:

Freq

110 Hz

Cancel OK

Reset Global EQ?

3. Press Knob 5 (OK).

36

Global Settings The Global Settings menu contains additional parameters that apply to all presets, suchasinputandoutputlevels,footswitchconfigurations,etc.

1. Press PAGE and PAGE together to open the Menu.

2. Press Knob 5 (Global Settings). The Global Settings screen appears:

Global Settings

Ins/Outs ReturnInstrumentMain OutOff Line

LevelPad Guitar In Main Out Amp Out Return

TypeSource FX Loop

Level

Ins/Outs Wireless Switches/PedalsPreferences MIDI/Tempo

3. Turn the Upper Knob to select one of the submenus. If necessary, press PAGE to view more parameters.

Restoring All Global Settings Restoring the Global Settings returns them to factory default. Performing this reset doesnotaffectanypresetsyoumayhavecreated.

1. From the Global Settings menu, press ACTION.

2. Press Knob 1 (Factory Settings). The following dialog appears:

Freq

110 Hz

Cancel OK

Restore all Global Settings?

3. Press Knob 5 (OK).

37

Global Settings > Ins/Outs Page Knob Parameter Description

1

1 Guitar In Pad If your guitar or bass has active or really loud pickups, you may want to turn this on. Theres really no rule; use what sounds best.

2 Main Out Level ChooseLinewhenconnectingtheMAINOUTjackstopoweredspeakersormixers;chooseInstrumentwhenconnectingtostompboxesorthe front of guitar amps. When using a single speaker or amp, connect only the LEFT/MONO 1/4″ jack.

3 Amp Out Source

ChooseMainOutifyouwantthePODGoAMPOUTjacktoechotheMAINOUTS(exceptinmono);choosePreCab/IRifyouwanttheAMP OUTjacktobetappedoffdirectlybeforetheCab/IRblock(andtherefore,wouldnotincludetheCab/IRblockoranyblocksafterit). This way, you cansendacab-emulatedsignaltoyourpoweredspeakers(ormixer)whilesimultaneouslysendinganon-cab-emulatedsignalstraightintoyour guitar amp.

4 FX Loop Level DetermineswhethertheFXLOOPjacksshouldaccommodatestompboxes(Instrument)orlinelevelstudioracktypeprocessors(Line).

5 Return Type Determines whether the signal received at the stereo RETURN/AUX jack should be used for the FX Loop blockoract as an always-on, stereo AuxIn(noprocessing)forjammingalongwithMP3players,drummachines,DJmixers,etc.

2 1 USB In 1/2 Trim SetsthelevelofincomingaudiofromUSB1/2forjammingalongwithYouTube,Spotify,yourDAW,etc.Normally,thisshouldbeleftat0.0dB.

Global Settings > Wireless Knob Parameter Description

1 RF Channel Sets the radio frequency channel for the POD Go Wireless RELAY system. Normally, this should be set to Auto, where POD Go Wireless automatically picks the RF channel for the most reliable performance.

2 Cable Tone PlayerswhotraditionallyuselongguitarcablesmayfindthePODGoWirelessRELAYsystemtosoundtoo pristine. Cable Tone lets you replicate the uniquetrebleroll-offthatguitarcablesnaturallycreate.ChooseOffforthewidestpossiblefrequencyresponse,10feet(3meters),or30feet(9meters).

3 Wireless Gain Sets the overall gain of the wireless guitar signal. Normally, this should be left at 0.0dB, but if your wireless signal appears notably louder or softer than your other guitars, adjust to taste.

Global Settings > Preferences Page Knob Parameter Description

1

1 Link Amp/Cab Determines whether or not changing the Amp/Preamp blocks model will automatically change the Cab blocks model to match.

2 Snapshot Edits Determineswhetherornotanyeditsmadetoasnapshot(blockon/off,parametercontrol,tempo)arerememberedwhenreturningtothat snapshot. When set to Recall, any snapshot edits are recalled when jumping from snapshot to snapshot, and appear as you last left them. When set to Discard, any snapshot edits are discarded when jumping from snapshot to snapshot, and appear as the preset was last saved. If you want to save changes made to a snapshot while Snapshot Edits is set to Discard, press and ACTION together twice before selecting another.

3 Tempo Pitch DetermineshowdelayrepeatssonicallybehavewhenrepeatedlypressingTAP.Authenticrespectsthenaturalpitchfluctuationsinherentwhen changing a real delay pedals time knob; Transparent minimizes these artifacts.

38

Global Settings > Switches/Pedals Page Knob Parameter Description

1

1 Stomp Block Sel Determines whether pressing a Stomp mode footswitch automatically selects the assigned block for editing.

2 FS Auto Assign DetermineswhethernewlyaddedeffectsblocksareautomaticallyassignedtounusedStompmodeswitchesforblockbypass.Whensetto Off,youmustmanuallyassignblockstofootswitches.

3 Stomp Mode By default, Stomp footswitch mode displays 6 stomps. You may also choose 4 Switches, which replaces FS1 and FS4 with and switches, so you can access preset banks and snapshots from without leaving Stomp mode.

4 Snapshot Mode When set to Auto Return, POD Go returns to Preset mode after selecting a snapshot. When set to Manual, POD Go stays in Snapshot mode until pressing MODE/EDIT/EXIT. When set to Toggle, pressing and toggles between Preset and Snapshot footswitch modes and POD Go remembers this state even after switching to Stomp mode.

5 Up/Down Switches When set to Presets or Snapshots, and change to PRESET / or SNAPSHOT / , where pressing either switch instantly selectsthenext/previouspresetorsnapshot,withoutabankqueue.Thisisusefulifyouveprogrammedafixedsetlistforyourshowand just want to increment through presets or snapshots. SHORTCUT: At any time, press and hold both and to cycle through BANK / , PRESET / , and SNAPSHOT / .

2

1 EXP 2 FS7/8 DetermineswhethertheEXP2|FOOTSWITCH7/8jackactsasanExpressionPedal2inputoradualfootswitchinputforaddingtwo additional stomp switches.

2 EXP 1 Polarity Ifyourexternalexpressionpedalappearstoworkbackwardsforexample,aVolumepedalblockisloudestwiththeheelallthewaydown set this to Inverted.3 EXP 2 Polarity

4 EXP 1 Position DetermineswhetherthePODGoexpressionpedalpositionsarerecalledpersnapshot,perpreset,orappliedglobally.IfyouwantaVolume Pedal or Wah to maintain its position when switching presets, set this to Global.5 EXP 2 Position

3 1 Switch LEDs DetermineswhethertheStompmodefootswitchescoloredLEDringsappeardimwhenbypassed(Dim/Lit),oroffwhenbypassed(Off/Lit).

Whenplayinginbrightsunlight,youmaywanttosettothistoOff/Littoincreasecontrast.

2 Tap Display DetermineshowtheTempoisdisplayed.LEDFlashflashestheredTAPLED,TempoPanelopenstheTempoPanelwhensteppingonTAP while in Edit View, and LED+Panel does both.

*ForconnectinganexternalfootswitchtoaccessStomps7and8,theuseofamomentary(unlatched)typefootswitchisrecommended.

Global Settings > MIDI/Tempo Knob Parameter Description

1 MIDI Channel Sets the system base MIDI channel that POD Go uses for both receiving and sending MIDI communication via USB.

2 Tx/Rx MIDI PC Determines whether POD Go transmits a Program Change (PC) message via USB when recalling presets. It also determines whether it responds to incoming PC messages via USB.

3 Rx MIDI Clock Determines whether POD Go responds to incoming MIDI beat clock via USB.

4 Tempo Select Choose whether the tempo is stored and recalled with each snapshot, recalled with each preset, or is applied globally across all presets and snapshots.

5 BPM Depending on the Knob 4 (Tempo Select) setting, this Beats Per Minute tempo value is saved per snapshot, per preset, or globally.

39

USB Audio/MIDI POD Go functions as a USB 2.0, multichannel, 24-bit, low-latency audio interface for Windows and Mac computers, as well as for iPad and iPhone mobile devices (with optional Apple Camera Connection Kit adapter), and is compatible with all major DAW software. Refer to the illustration and tables below for a description of how audio is handled between POD Go and your computer.

NOTE:ForUSBaudiooperationonWindowscomputers,youmustfirstdownload and install the Line 6 POD Go ASIO driver (see page 41). For Mac computers and Apple iPad or iPhone mobile devices, there is no Line 6 driver installation necessaryPOD Go supports the class compliant driver, which operates at 24-bit/48kHz sample rate. For details on driver support with the latest Windows and Mac operating systems, please visit line6.com/support.

1/2 3/4 1 2 3 4

LEFT/MONO RIGHT MAIN OUT GUITAR IN

116C TwoPlus Decades

Off

Input Guitar

Input Gate

-48.0dB 500ms

Threshold Decay

Jam m

ing with YouTube, Spotify, etc.

USB OUTPUTS USB INPUTS

Input block set to USB 3/4

DI (D

ry ) S

ig na

l fo

r R e-

am pi

ng

Computer Input Source

USB 1 and 2 Output of POD Go (with all processing)

USB 3 and/or 4 POD Gos GUITAR IN (dry, no processing, for re-amping later)

Computer Output Destination

USB 1/2 POD Gos Main and Phones outputs (direct, no processing) for monitoring your DAWs master output or jamming along with YouTube,Spotify,etc.

USB 3/4 POD Gos Input block for re-amping (only active when Input block is set to USB 3/4)

Hardware Monitoring vs. DAW Software Monitoring POD Go provides hardware monitoring, which lets you hear your live input signal at all times, independent of your DAW softwares monitor settings. Hardware monitoring can be desirable since it allows you to hear your live guitar with processing added and essentially latency-free, since the monitor signal is not routed through your DAW software. In some DAW recording scenarios, it may be preferable to utilize your recording applications input monitoring or software monitoring feature, which routes your live input signal through the armed recording track, thus allowing you to monitor the inputeffectedbyanyplugins you may have inserted on the track. The one downside of DAW software monitoring, however, is that your live input signal will be delayed slightly due to being routed through the software and back to POD Gos outputs, which is referred to as latency. POD Go is designed to provide very low latency operation see ASIO Driver Settings (Windows only) for info and settings. When a DAW tracks software monitoring is active, youll likely not want to simultaneously hear the POD Go hardware monitoring signal. To achieve this, it is best to use the POD Go USB 3/4 inputs as your DAW audio tracks input source, and to select the Main L/R Output block on POD Go and turn its Level all the way down. This configurationallowsyoutohearandrecordonlythedry,DIsignalfromPODGointo youraudiotrack.(SeethenextsectionformoreonrecordingaDItrack.)

DI Recording and Re-amping A common DAW recording technique is to record a dry DI (Direct Input) signal, such as the unprocessed signal from your guitar. This lets you process the DI track later with plugins (such as the HelixNativeplugin), and/or re-amp the DI track through an amp or other outboard gear. POD Go has handy options built right in for recording DI tracks, aswellasforeasyre-amplificationofDItracksbackthroughyourownPODGotones, allwithoutextrahardwareorcabling! PODGoofferstwospecialDIoutputsUSBOuts3and4,whicharefeddirectlyfrom the GUITAR IN.

40

Recording a Dry DI Track For this example, well record guitar onto two DAW tracks simultaneouslyone capturing the processed tone and the other the unprocessed (dry) DI guitar.

116C TwoPlus Decades

Off

Input Guitar

Input Gate

-48.0dB 500ms

Threshold Decay LEFT/MONO RIGHT

MAIN OUT

USB GUITAR IN

Dry DI Guitar Track 1 (Dry)

USB In 3 or 4

Processed Guitar

USB In 1/2

Track 2 (Processed)

1. Create two new audio tracks in your DAW software: Create one mono track to record the dry DI guitar, and set the tracks input to POD Go USB 3 (or 4, doesnt matter). Create one stereo track to record your full, stereo, processed tone and set the tracks input to POD Go USB 1/2.

2. Set both tracks outputs, as well as the DAW Master output to POD Go USB 1/2 to allow all tracks to play back through POD Go.

NOTE: Setting the stereo tracks output to POD Go USB 1/2 allows you to hear your processed tone via POD Gos hardware monitoring while recording. Forthisconfiguration,disablesoftwareinputmonitoringonallDAWtracks.

3. Arm both these DAW audio tracks, hit the Record button and start playing.

Now you have your processed track to hear with the project, and a separate DI track withwhichyoucanfurtherexperimentatanytimewithDAWplugins and/or re-amping (seethenextsection).

Re-amping Through POD Go Now lets take the dry DI guitar track we recorded and route its playback back through POD Go for processing.

116C TwoPlus Decades

Off

Input USB 3/4

Input Gate

-48.0dB 500ms

Threshold Decay LEFT/MONO RIGHT

MAIN OUT

USBDry DI Guitar Playback Track 1 (Dry)

USB In 3 or 4

Processed Guitar

USB In 1/2

Track 2 (Processed) Track 2 (Re-amped)

1. From Edit view, turn the Upper Knob to select the Input block and then turn the Lower Knob to choose USB 3/4.

2. In your DAW software, set the DI tracks output setting to POD Go USB 3/4.

3. Create a new stereo track in your DAW project and set both its input and output to USB 1/2. Arm the track for recording.

NOTE: In some DAW software it may be necessary to also activate the software monitoring feature on this re-amped track to monitor the processed signal when playing back your project. See your softwares documentation.

4. Now play your DAW project and youll hear the DI track re- amped through POD Go. Tweak your amp & effects blocks as desired while listening with the playback of your project mix.

5. Once you have your re-amplified guitar tone they way you like it, solo both the DI and re-amped tracks, rewind to the start of the project and hit the DAW Record button, allowing it to capture the signal into the new re-amped track in real-time.

Allow the DI track to play to the end, stop recording, and youve created your new re- amped guitar track!

TIP: Note that you still have your original Guitar DI track, and you can repeat this processtocreateadditional re-ampedtrackswithdifferentPODGosettings, add plugins, blend with your original guitar track, and more.

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Core Audio Driver Settings (macOS only) To use POD Go as an audio interface for Mac applications, it is not necessary to install any additional driver. POD Go will utilize the Mac computers class compliant USB driver automatically simply by connecting to your USB port. POD Go will then appear as a selectable Core Audio device within the Mac Utilities > Audio MIDI Setup panel and/or directly within your DAW host and multimedia applications. Note that this Apple classcompliantdriveroffersstrictly48kHznativesamplerateoperation.

ASIO Driver Settings (Windows only) When using POD Go as an audio interface for Windows DAW applications, it is highly recommendedtoconfigurethesoftwaretoutilizethePODGoASIOdriver.TheLine 6PODGoASIOdriveroffers thesuperior, low-latencyaudioperformance required for DAW recording. This driver selection is typically found in your DAW softwares Preferences or Options dialog — see your softwares documentation.

NOTE: Download and install the latest Line 6 POD Go ASIO driver for Windows from line6.com/software.

Once the POD Go ASIO driver has been selected in your DAW software, youll also see a button in the same dialog for ASIO Settings (or with a similar title). Press this button to launch the POD Go Control Panel, where you make the following driver settings.

Sound Control

Panel

This button launches the Windows Sound Control Panel, where youcanoptionallyconfigurePODGotobetheaudioplayback device for multi-media applications (such as Windows Media Player, iTunes, etc.) The settings within the Windows Sound Control Panel are not relevant for your DAW software, since standard multi-media applications utilize the standard Windows driver.

Default Bit Depth

Select the Bit Depth at which POD Go will operate for recording and playback with your DAW software. 24 bit or 32 bit are recommended for quality audio production.

ASIO Buffer Size

Your goal is to achieve the lowest latency possible in your DAW software,butwithglitch-freeaudioperformance.Smallerbuffer size results in lower latency, however, also increases the demands on your computer, which can result in clicks, pops or other audio artifacts. Start with a lower slider setting here and, if you encounter audio performance issues, come back to this panel and move this slider to the right incrementally to remedy the problem.

Click the Apply and OK buttons when your POD Go Control Panel settings are complete to return to your DAW software. Please also refer to your DAW softwares documentation for more about its own specific audio device, buffer, and project settings.

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Setlist and Preset Recall via MIDI To remotely change setlists from your Mac/PC, send POD Go a CC32 message on MIDI channel 1 according to the table below.

Setlist MIDI CC# Value

Factory 32 000

User 32 001

NOTE: POD Go responds to MIDI channel 1 by default, but this can be changed from Global Settings > MIDI/Tempo.

To recall a preset, send POD Go a program change (PC) message on MIDI channel 1 according to the table below.

Bank Preset A Preset B Preset C Preset D

01 PC: 000 PC: 001 PC: 002 PC: 003

02 PC: 004 PC: 005 PC: 006 PC: 007

03 PC: 008 PC: 009 PC: 010 PC: 011

04 PC: 012 PC: 013 PC: 014 PC: 015

05 PC: 016 PC: 017 PC: 018 PC: 019

06 PC: 020 PC: 021 PC: 022 PC: 023

07 PC: 024 PC: 025 PC: 026 PC: 027

08 PC: 028 PC: 029 PC: 030 PC: 031

09 PC: 032 PC: 033 PC: 034 PC: 035

10 PC: 036 PC: 037 PC: 038 PC: 039

11 PC: 040 PC: 041 PC: 042 PC: 043

12 PC: 044 PC: 045 PC: 046 PC: 047

13 PC: 048 PC: 049 PC: 050 PC: 051

14 PC: 052 PC: 053 PC: 054 PC: 055

15 PC: 056 PC: 057 PC: 058 PC: 059

16 PC: 060 PC: 061 PC: 062 PC: 063

17 PC: 064 PC: 065 PC: 066 PC: 067

18 PC: 068 PC: 069 PC: 070 PC: 071

19 PC: 072 PC: 073 PC: 074 PC: 075

Bank Preset A Preset B Preset C Preset D

20 PC: 076 PC: 077 PC: 078 PC: 079

21 PC: 080 PC: 081 PC: 082 PC: 083

22 PC: 084 PC: 085 PC: 086 PC: 087

23 PC: 088 PC: 089 PC: 090 PC: 091

24 PC: 092 PC: 093 PC: 094 PC: 095

25 PC: 096 PC: 097 PC: 098 PC: 099

26 PC: 100 PC: 101 PC: 102 PC: 103

27 PC: 104 PC: 105 PC: 106 PC: 107

28 PC: 108 PC: 109 PC: 110 PC: 111

29 PC: 112 PC: 113 PC: 114 PC: 115

30 PC: 116 PC: 117 PC: 118 PC: 119

31 PC: 120 PC: 121 PC: 122 PC: 123

32 PC: 124 PC: 125 PC: 126 PC: 127

NOTE: When navigating Presets from the POD Go hardware, POD Go automatically transmits a MIDI Program Change message corresponding to the selected preset. If youd prefer to not automatically transmit PC messages, set Global Settings > MIDI/Tempo>Tx/RxMIDIPCtoOff.

Snapshot Recall via MIDI To recall a snapshot from your Mac/PC, send POD Go a CC69 message according to the table below.

Snapshot MIDI CC# Value

1 69 000

2 69 001

3 69 002

4 69 003

Next Snapshot 69 008

Previous Snapshot 69 009

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MIDI CC POD Go responds to the following MIDI CC messages over USB:

MIDI CC# Value Function

Pedal and Footswitch Assignments 1 0-127 Emulates EXP 1 Pedal

2 0-127 Emulates EXP 2 Pedal

49 0-127 Emulates FS1

50 0-127 Emulates FS2

51 0-127 Emulates FS3

52 0-127 Emulates FS4

53 0-127 Emulates FS5

54 0-127 Emulates FS6

55 0-127 Emulates FS7

56 0-127 Emulates FS8

Looper Controls 60 0-63: Overdub; 64-127: Record Looper Record/Overdub

61 0-63: Stop; 64-127: Play Looper Play/Stop

62 64-127 Looper Play Once

63 64-127 Looper Undo/Redo

65 0-63: Forward; 64-127: Reverse Looper Forward/Reverse

66 0-63: Full; 64-127: Half Looper Full/Half Speed

Additional Controls 64 64-127 Tap Tempo

68 0-127 Tunerscreenon/off

69 0-3, 8 and 9 Snapshot select (0=Snapshot 1, 1=Snapshot 2, 2=Snapshot 3, 3=Snapshot4,8=Nextsnapshot, 9=Previous snapshot)

128 0-127 POD Go takes that curiously strong mint tin you insist on keeping on your pedalboardandfillsitwithfermented Baltic herring

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Additional Resources Lookingformoreinfo?Wevegotplentyofonlineresources,justaclickaway.

Download additional Help documentation covering POD Go and software from the Line 6 website at Line 6 Product Manuals

Check out the Line 6 Support page for access to helpful tips, videos, discussion forums, or to contact Line 6 Technical Support

Stay up to date with the latest updated version of POD Go Edit and all your other Line 6 applications, available from the Line 6 Software Downloads page

Visit the Line 6 CustomTone site where you can share your POD Go presets with the world, and download free presets created by Line 6 and other users just like you

Check out the ever-growing