Mackie 1604 vlz pro инструкция на русском

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1604-VLZ PRO

16-CHANNEL

MIC/LINE MIXER

OWNER’S MANUAL

120 VAC 50/60 Hz 20W

POWER

PHANTOM

MAIN OUT

MAIN INSERT

(TIP SEND

1A/250V SLO-BLO

ON

ON

BAL/UNBAL

RING RETURN)

L

L

MONO

R

R

CAUTION:

TO REDUCE THE RISK OF

FIRE REPLACE WITH SAME

TYPE FUSE AND RATING

O O

+6

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

INSERT

INSERT

INSERT

INSERT

INSERT

16

15

14

13

LINE

LINE

LINE

LINE

LINE

BAL

BAL

BAL

BAL

BAL

UN-

UN-

UN-

UN-

UN-

BAL

BAL

BAL

BAL

BAL

MIC 16

MIC 15

MIC 14

MIC 13

MIC 12

CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC • WOODINVILLE • WA • USA • MADE IN USA • FABRIQUE AU USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: «MACKIE», «VLZ», «XDR», AND THE «RUNNING MAN» FIGURE • US PATENT NUMBER 29/049,129

1

2

3

4

5

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

MIC PREAMPLIFIERS

3

TRIM

1

TRIM

2

TRIM

TRIM

4

TRIM

5

TRIM

U

U

U

U

U

U

0

60

0

60

0

60

0

60

0

60

0

60

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

AUX

AUX

AUX

AUX

AUX

AUX

U

U

U

U

U

U

1

1

1

1

1

1

+15

+15

+15

+15

+15

+15

O O

O O

O O

O O

O O

O O

U

U

U

U

U

U

2

2

2

2

2

2

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

PRE

PRE

PRE

PRE

PRE

PRE

U

U

U

U

U

U

3

5

3

5

3

5

3

5

3

5

3

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

U

U

U

U

U

U

4

6

4

6

4

6

4

6

4

6

4

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

5/6

5/6

5/6

5/6

5/6

5/6

SHIFT

SHIFT

SHIFT

SHIFT

SHIFT

SHIFT

EQ

EQ

EQ

EQ

EQ

EQ

HI

HI

HI

HI

HI

U

U

U

U

U

U

12k

12k

12k

12k

12k

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

U

MID

U

MID

U

MID

U

MID

U

MID

U

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

800

800

800

800

800

800

200

2k

200

2k

200

2k

200

2k

200

2k

200

100

8k

100

8k

100

8k

100

8k

100

8k

100

8k

LOW

LOW

LOW

LOW

LOW

U

U

U

U

U

U

80Hz

80Hz

80Hz

80Hz

80Hz

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

PAN

PAN

PAN

PAN

PAN

PAN

L

R

L

R

L

R

L

R

L

R

L

R

1

2

3

4

5

6

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

OL

OL

OL

OL

OL

-20

-20

-20

-20

-20

SOLO

SOLO

SOLO

SOLO

SOLO

SOLO

1–2

1–2

1–2

1–2

1–2

3–4

3–4

3–4

3–4

3–4

3–4

L — R

L — R

L — R

L — R

L — R

L — R

O O

O O

O O

O O

O O

O O

TAPE

TAPE

C-R OUT

SUB OUT

AUX RETURN

INPUT

OUTPUT

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

L

3

1

4

L

L

L

(MONO)

(MONO)

R

4

2

R

R

R

INSERT

INSERT

INSERT

INSERT

INSERT

12

11

10

9

8

LINE

LINE

LINE

LINE

LINE

BAL

BAL

BAL

BAL

BAL

UN-

UN-

UN-

UN-

UN-

BAL

BAL

BAL

BAL

BAL

MIC 11

MIC 10

MIC 9

MIC 8

MIC 7

TM

XDR

EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.

6

7

8

9

10

6

TRIM

7

TRIM

8

TRIM

9

TRIM

10

TRIM

11

TRIM

U

U

U

U

U

U

0

60

0

60

0

60

0

60

0

60

0

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

AUX

AUX

AUX

AUX

AUX

AUX

U

U

U

U

U

U

1

1

1

1

1

1

+15

+15

+15

+15

+15

+15

O O

O O

O O

O O

O O

O O

U

U

U

U

U

U

2

2

2

2

2

2

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

PRE

PRE

PRE

PRE

PRE

PRE

U

U

U

U

U

U

5

3

5

3

5

3

5

3

5

3

5

3

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

U

U

U

U

U

U

6

4

6

4

6

4

6

4

6

4

6

4

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

O O

+15

5/6

5/6

5/6

5/6

5/6

5/6

SHIFT

SHIFT

SHIFT

SHIFT

SHIFT

SHIFT

EQ

EQ

EQ

EQ

EQ

EQ

HI

HI

HI

HI

HI

HI

U

U

U

U

U

U

12k

12k

12k

12k

12k

12k

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

MID

U

MID

U

MID

U

MID

U

MID

U

MID

U

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

800

800

800

800

800

800

2k

200

2k

200

2k

200

2k

200

2k

200

2k

200

100

8k

100

8k

100

8k

100

8k

100

8k

100

LOW

LOW

LOW

LOW

LOW

LOW

U

U

U

U

U

U

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

PAN

PAN

PAN

PAN

PAN

PAN

L

R

L

R

L

R

L

R

L

R

L

7

8

9

10

11

12

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

OL

OL

OL

OL

OL

OL

-20

-20

-20

-20

-20

-20

SOLO

SOLO

SOLO

SOLO

SOLO

1–2

1–2

1–2

1–2

1–2

1–2

3–4

3–4

3–4

3–4

3–4

L — R

L — R

L — R

L — R

L — R

O O

O O

O O

O O

O O

O O

TRACK

TRACK

TRACK

1

2

3

AUX SEND

DIRECT OUT

BAL/UNBAL

BAL/UNBAL

3

2

1

5

3

1

7

L

L

L

(MONO)

6

4

2

8

R

R

R

INSERT

INSERT

INSERT

INSERT

INSERT

7

6

5

4

3

LINE

LINE

LINE

LINE

LINE

BAL

BAL

BAL

BAL

BAL

UN-

UN-

UN-

UN-

UN-

BAL

BAL

BAL

BAL

BAL

MIC 6

MIC 5

MIC 4

MIC 3

MIC 2

11

12

13

14

14

12

TRIM

13

TRIM

TRIM

15

TRIM

16

U

U

U

U

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

MIC PREAMPLIFIERS

60

0

60

0

60

0

60

0

60

+15dB -45dB

+15dB -45dB

+15dB -45dB

+15dB -45dB

AUX

AUX

AUX

AUX

U

U

U

U

U

1

1

1

1

1

1

+15

+15

+15

+15

+10

O O

O O

O O

O O

O O

O O

U

U

U

U

U

2

2

2

2

2

2

O O

+15

O O

+15

O O

+15

O O

+15

O O

+10

O O

PRE

PRE

PRE

PRE

AUX

SEND

U

U

U

U

5

3

5

3

5

3

5

3

5

1

3

SOLO

O O

+15

O O

+15

O O

+15

O O

+15

O O

U

U

U

U

2

6

4

6

4

6

4

6

4

6

SOLO

4

O O

+15

O O

+15

O O

+15

O O

+15

PHAN

PWR

O O

5/6

5/6

5/6

5/6

SHIFT

SHIFT

SHIFT

SHIFT

EQ

EQ

EQ

EQ

HI

HI

HI

HI

HI

U

U

U

U

12k

12k

12k

12k

12k

-15

+15

-15

+15

-15

+15

-15

+15

O O

MAX

O O

CTL ROOM / PHONES

MID

U

MID

U

MID

U

MID

U

MID

TAPE IN

TAPE

TAPE TO

-15

+15

-15

+15

-15

+15

-15

+15

MAIN MIX

800

800

800

800

SUBS 1–2

2k

200

2k

200

2k

200

2k

200

2k

8k

100

8k

100

8k

100

8k

100

8k

O O

LOW

LOW

LOW

LOW

LOW

SOLO

U

U

U

U

SUBS 3–4

80Hz

80Hz

80Hz

80Hz

80Hz

MAIN MIX

MODE

-15

+15

-15

+15

-15

+15

-15

+15

LOW CUT

LOW CUT

LOW CUT

LOW CUT

CTL ROOM

NORMAL

75 Hz

75 Hz

75 Hz

75 Hz

SOURCE

LEVEL SET

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

PAN

PAN

PAN

PAN

ASSIGN TO MAIN MIX

LEFT

LEFT

R

L

R

L

R

L

R

L

R

13

14

15

16

RIGHT

RIGHT

MUTE

MUTE

MUTE

MUTE

1

2

OL

OL

OL

OL

OL

-20

-20

-20

-20

-20

SOLO

SOLO

SOLO

SOLO

SOLO

1–2

1–2

1–2

1–2

1–2

3–4

3–4

3–4

3–4

3–4

L — R

L — R

L — R

L — R

L — R

O O

O O

O O

O O

TRACK

TRACK

TRACK

TRACK

TRACK

4

5

6

7

8

5

3

1

6

4

2

INSERT

2

1

LINE

BAL

UN-

BAL

MIC 1

15

16

12V

0.5A

LAMP

U

U

TO AUX

1

SEND 1

+20

+15

O O

EFFECTS TO

MONITORS

U

U

TO AUX

2

SEND 2

+20

O O

+15

U

ASSIGN OPTIONS

MAIN MIX

1–2

+20

3–4

TO SUBS

U

C-R / PHNS

RETURNS

+20

ONLY

SOLO

STEREO AUX RETURN

LEFT RIGHT

U

0 dB=0 dBu

28

10

+20

7

4

2

0

2

4

MAX

LEVEL

7

SET

10

20

30

(AFL)

RUDE

SOLO

(PFL)

LIGHT

LEFT

LEFT

PHONES

RIGHT

RIGHT

MAIN

3

4

MIX

dB

dB

10

10

5

5

U

U

5

5

10

10

20

20

30

30

40

40

50

50

60

60

O O

O O

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Summary of Contents for Mackie 1604-VLZ PRO

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N
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E
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I
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R
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V
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V
V
V
V
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
P
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
B
B
B
B
B
B
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B
I
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M M M M
M M M M M M M M M
M M M
d d
d d d d d d d d d d
d d d d
1604-VLZ PRO
16-CHANNEL
MIC/LINE MIXER
OWNER’S MANUAL
120 VAC 50/60 Hz 20W POWER

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12. Damage Requiring Service — This Mackie product should be serviced only by qualified service personnel when: CAUTION AVIS RISK OF ELECTRIC SHOCK A. The power-supply cord or the plug has been damaged; or DO NOT OPEN B. Objects have fallen, or liquid has spilled into this Mackie RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR product; or CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK C. This Mackie product has been exposed to rain; or DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE D.

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READ THIS PAGE!!! We realize that you must have a powerful Other Nuggets of Wisdom hankerin’ to try out your new 1604-VLZPRO. Or For optimum sonic performance, the channel you might be one of those people who never faders and the MAIN MIX fader should be set near reads manuals. Either way, all we ask is that the “U” (unity gain) markings. you read this page NOW, and the rest can wait Always turn the MAIN MIX fader and CTL until you’re good and ready. But do read it — ROOM/PHONES knob down befo

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N N N N N N N N N N N N N N N N E E E E E E E E E E E E E E E E I I I I I I I I I I I I I I I I R R R R R R R R R R R R R R R R V V V V V V V V V V V V V V V V P P P P P P P P P P P P P P P P A A A A A A A A A A A A A A A A C C C C C C C C C C C C C C C C B B B B B B B B B B B B B B B B I I I I I I I I I I I I I I I I G G G G G G G G G G G G G G G G M M M M M M M M M M M M M M M M d d d d d d d d d d d d d d d d INTRODUCTION Thank you for choosing a Mackie Designs pro- Whenever a specific 1604

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CONTENTS LEVEL-SETTING PROCEDURE ………………………. 3 PRE ……………………………………………….. 21 INSTANT MIXING …………………………………….. 3 5/6 SHIFT ………………………………………. 21 HOOKUP DIAGRAMS ………………………………… 6 OUTPUT SECTION DESCRIPTION ………………… 22 CONVERTING TO RACKMOUNT MODE ………….. 9 MAIN MIX FADER ……………………………… 22 PATCHBAY DESCRIPTION ………………

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HOOKUP DIAGRAMS out in out in FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN CH CH 1 2 Stereo Power Amplifier 1604-VLZ PRO 8-Track Tracking 6 Studio Monitors PWR OL PWR OL HIGH RESOLUTION ON HIGH RESOLUTION ON STUDIO MONITOR OFF STUDIO MONITOR OFF Keyboard, or other line-level input Cassette or DAT Stereo EQ w/Compressor Bass Preamp Drum Guitar Effects Machine L L 12 3 4 16 15 14 13 12 11 10 9 8 7 6 5 4 3 R L R L R L R R STEREO MONO 21 PHONES SUB OUTS C/R OUT TAPE TAPE MAIN MAIN O

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1604-VLZ PRO Stereo P.A. 7 r k e c d a r r o t Left PA Speaker Right PA Speaker Keyboard, or other line-level input Stereo EQ Keyboard, or other line-level input Stereo Compressor FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Optional Live Recording Drum Guitar Effects CH CH 1 2 Machine Stereo Power Amplifier CD Player NOTE: for mono PA, use mono output to feed FOH. L L 12 16 15 14 13 12 11 10 9 8 7 6 5 3 4 R L R L R L R R STEREO MONO 4 3 21 PHONES SUB OUTS C/R OUT TAPE TAPE MA

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1604-VLZ PRO Video Setup 8 out Video Deck Video Deck Studio Monitors Video Deck PWR OL PWR OL ON ON HIGH RESOLUTION HIGH RESOLUTION STUDIO MONITOR OFF STUDIO MONITOR OFF Multi-VCR Video Switcher with Time Code CD Player Interface Computer in with Audio Card FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Keyboard, or other line-level input Sampler CH CH 1 2 Stereo Power Amplifier Master Video L L 12 16 15 14 13 12 11 10 9 8 7 6 5 4 3 3 4 R L R L R L R R STEREO MONO 21 PHONES SUB OU

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CONVERTING TO RACKMOUNT MODE Not only is the new 1604-VLZPRO a compact, An optional accessory called the ROTOPOD- professional-quality tabletop mixer, it’s rack- VLZ is available and can be used in desktop or mountable! Its unique rotating input pod rackmount installations. It will put the patchbay makes this possible. jacks on the same plane as all the knobs, buttons and One of the things that revolutionized the compact faders. This is a lifesaver in applications that demand mixer industry w

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E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M PATCHBAY DESCRIPTION At the risk of stating the obvious, this is and noise. You can plug in almost any kind of where you plug everything in: microphones, mic that has a standard XLR-type male mic line-level instruments and effects, and the ulti- connector. Always be sure to perform the mate destination for

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N I V A B G d LINE INPUTS This 15dB of attenuation can be very handy TRIM 1 U when you are inserting a signal that is very hot, 1 These /4″ jacks share circuitry (but not or you want to add a lot of EQ gain, or both. 060 phantom power) with the mic preamps. You +15dB -45dB Without this “virtual pad,” a scenario like that AUX can use these inputs for virtually any signal U might lead to channel clipping. you’ll come across, from instrument levels as 1 +15 low as –50dB to operating levels of –10d

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SPLIT MONITORING But let’s not forget that the 1604-VLZ PRO is a 4-bus mixer. These buses lead to the SUB With split monitoring, you use the first eight , and are designed to accomplish the OUTS channels for your sound sources: vocal mics, task of getting channels to the multitrack with- drum mics, keyboard/synth outputs, guitar out using the direct outputs. effects outputs, that sort of thing. From there, For example, a channel is assigned to the channels manipulate the sound, but are SUB O

Краткое содержание страницы № 13

E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M 120 VAC 50/60 Hz 20W POWER PHANTOM MAIN OUT MAIN INSERT TAPE TAPE C-R OUT SUB OUT AUX RETURN AUX SEND DIRECT OUT 1A/250V SLO-BLO BAL/UNBAL (TIP SEND INPUT OUTPUT BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL BAL/UNBAL ON ON RING RETURN) L L L 3 1 4 3 2 1 5 3 1 75 3 1 L L L L L L (MONO) (MONO) (MONO) MONO R R

Краткое содержание страницы № 14

This method is exactly WARNING: When we say the same as the double- the headphone amp is busing feature found in loud, we’re not kidding. It other mixers. Built-in double can cause permanent ear busing is nothing more than damage. Even intermedi- Y-cords living inside the mixer instead of ate levels may be painfully loud with some hanging out the back. If we had room for the earphones. BE CAREFUL! extra jacks, we would have thrown them in, Always turn the CTL ROOM/PHONES knob but we don’t, so we

Краткое содержание страницы № 15

E E E E E E E R R R R R R R P P P P P P P C C C C C C C I I I I I I I M M M M M M M MAIN INSERT ing mono signals to mic inputs like camcorders, telephone interface boxes, even answering 1 These /4″ jacks are for connecting serial machines. With the pot all the way up (fully effects such as compressors, equalizers, de- clockwise), you’ll have 6dB of extra gain with essers, or filters . The INSERT point is after unity gain halfway between the one and two the mix amps, but before the MAIN MIX fade

Краткое содержание страницы № 16

E E E E E E E E E E E E E E E E R R R R R R R R R R R R R R R R P P P P P P P P P P P P P P P P C C C C C C C C C C C C C C C C I I I I I I I I I I I I I I I I M M M M M M M M M M M M M M M M POWER SWITCH PHANTOM LED If this one isn’t self-explanatory, we give up. Located right next to the POWER LED in the You can leave this switch on all the time; the output section, this is just to let you know which 1604-VLZ PRO is conservatively designed, so way you have the PHANTOM switch set. If your he

Краткое содержание страницы № 17

N I V A B G d CHANNEL STRIP DESCRIPTION The sixteen channel strips look alike and A Clean Fade TRIM 1 U function identically. The only difference is that Faders are not rocket the eight on the left have DIRECT OUT jacks science — they operate by 060 +15dB -45dB and the eight on the right don’t. We’ll start dragging a metal pin (the AUX U at the bottom and work our way up. wiper) across a carbon-based 1 strip (the track). It is possible for airborne +15 U “U” LIKE UNITY GAIN crud to land on th

Краткое содержание страницы № 18

N I V A B G d If you’re printing new tracks or bouncing ex- LEVEL SET (PFL) is also the preferred mode for SR (sound reinforcement, or live sound), to isting ones, you’ll also use the 1–2 and 3–4 switches, but not the L–R switch. Here, you preview channels before they are let into the don’t want the subgroups sent back into the mix. It won’t give you stereo placement, but will MAIN MIX, but sent out, via the SUB OUTS give you signal even if the fader is pulled down. TRIM 1 Remember, LEVEL SET (P

Краткое содержание страницы № 19

N I V A B G d come on as a result of clipping. That’s pretty CONSTANT LOUDNESS ! ! ! boring. So, to liven things up, this LED will The 1604-VLZ PRO’s MUTE glow steadily when that channel’s PAN controls employ a de- switch is engaged. sign called “Constant If you need a quick reference to these LEDs, Loudness.” It has nothing write this on the back of your hand: to do with living next to a freeway. As you turn name color flickering glowing the PAN knob from left to right (thereby caus- –20 (SO

Краткое содержание страницы № 20

N I V A B G d LOW CUT +15 +10 The LOW CUT switch, often referred to as a +5 high pass filter (all depends on how you look at it), cuts bass frequencies below 75Hz at a 0 rate of 18dB per octave. This ain’t no thrown-in –5 TRIM 1 dime-store filter — an 18dB per octave curve U –10 requires an elaborate circuit. Nothing but the –15 060 +15dB -45dB best for you. 20Hz 100Hz 1kHz 10kHz 20kHz AUX U LOW CUT on ev- We recommend that you use +15 1 ery sound source except kick drum, bass guitar, +10 +15

1604-VLZ PRO

16-CHANNEL

MIC/LINE MIXER

OWNER’S MANUAL

16

15

14

13

12

11

10

9

8

7

6

5

4

3

2

1

PAN

AUX

3

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

1

2

EQ

5

4

6

5/6

SHIFT

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

TRIM

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

SOLO

L —   R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

SOLO

L — R

3–4

1–2

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

OL

-20

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

PAN

AUX

3

EQ

5

4

6

5/6

SHIFT

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRACK

8

TRACK

7

TRACK

6

TRACK

5

TRACK

4

TRACK

3

TRACK

2

TRACK

1

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

+15

-15

U

+15

-15

800

2k

200

8k

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

+15

-15

800

2k

200

8k

100

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

U

O

O

+15

1

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

2

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

3

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

4

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

5

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

6

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

7

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

8

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

9

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

10

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

11

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

12

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

MID

MID

MID

MID

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

13

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

14

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

15

MUTE

U

O

O

+15

U

+15

-15

U

U

+15

-15

12k

HI

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW

U

O

O

+15

16

MUTE

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

MI

C GAIN

0

60

+15dB -45dB

-10dBV

U

U

U

U

U

U

U

U

U

U

U

U

U

U

U

U

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

O

AUX

SEND

STEREO AUX RETURN

EFFECTS TO

MONITORS

TO AUX

SEND 2

TO AUX

SEND 1

1

2

PWR

PHAN

SOLO

SOLO

1

2

1

2

3

4

1

2

C-R / PHNS

ONLY

RETURNS

SOLO

MAIN MIX

TO SUBS

ASSIGN OPTIONS

1–2

3–4

U

O

O

+20

U

O

O

+20

U

O

O

+15

U

O

O

+15

U

O

O

+20

U

O

O

+20

U

O

O

+10

U

O

O

+10

LEFT RIGHT

PHONES

LAMP

12V

0.5A

TAPE IN

SOLO

RUDE

SOLO

LIGHT

CTL ROOM / PHONES

SUBS 3–4

SUBS 1–2

MAIN MIX

CTL ROOM

SOURCE

TAPE

TAPE TO

MAIN MIX

MAIN

MIX

RIGHT

1

2

3

4

LEFT

RIGHT

LEFT

RIGHT

LEFT

RIGHT

LEFT

28

10

7

2

2

0

4

7

10

20

30

ASSIGN TO MAIN MIX

LEVEL

SET

MODE

 (AFL)

LEVEL SET

NORMAL

(PFL)

U

O

O

+20

O

O

O

O

MAX

0 dB=0 dBu

MAX

dB

30

20

10

O

O

40
50

5

5

U

60

10

dB

30

20

10

O

O

40
50

5

5

U

60

10

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

 MIC PREAMPLIFIERS

1604-VLZ PRO

16-CHANNEL MIC/ LINE MIXER

WITH PREMIUM XDR

TM

 MIC PREAMPLIFIERS

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

4

3

2

1

INSERT

INSERT

INSERT

LINE

INSERT

MIC 4

MIC 3

MIC 2

MIC 1

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

LINE

LINE

LINE

O

O

+6

PHANTOM

ON

POWER

ON

    120 VAC 50/60 Hz 20W

1A/250V SLO-BLO

16

15

14

13

12

11

10

9

8

7

6

5

MIC 16

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

INSERT

MIC 15

MIC 14

MIC 13

MIC 12

MIC 11

MIC 10

MIC 9

MIC 8

MIC 7

MIC 6

MIC 5

SUB OUT

C-R OUT

MAIN INSERT

(TIP SEND

RING RETURN)

TAPE

TAPE

MAIN OUT

AUX SEND

DIRECT OUT

AUX RETURN

3

R

L

MONO

R

R

R

R

L

R

L

R

L

R

L

L

L

L

1

4

2

5

1

2

3

4

3

1

6

4

2

7

5

3

8

6

4

1

2

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

INPUT

OUTPUT

R

L

(MONO)

(MONO)

(MONO)

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

BAL
UN-
BAL

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

LINE

TO REDUCE THE  RISK OF

FIRE REPLACE WITH SAME 

TYPE FUSE AND RATING

CAUTION:

UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR  REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: «MACKIE», «VLZ», «XDR», AND THE «RUNNING MAN» FIGURE •  US PATENT NUMBER 29/049,129 

XDR

TM

 EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE

XDR

MIC PRE



  • Инструкции
  • Аудио
  • Акустика
  • Mackie
  • Mackie 1604 VLZ PRO

Модель, к которой подходит эта инструкция: Mackie 1604 VLZ PRO

Скачать инструкцию к Mackie 1604 VLZ PRO (3.4 Мб)

Данная инструкция написана на русском языке

Вопросы и отзывы о Mackie 1604 VLZ PRO

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Инструкция (руководство пользователя) на Микшерный пульт Mackie 1604 VLZ-PRO

Артикул: mackie-1604-vlz-pro

Категория: Mackie

  • Описание

  • Детали

Описание

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