Teenage engineering op 1 инструкция на русском

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  VERSION 1.2…
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  USB charger. Make sure you cause interference, and (2) this device must accept always have the OP-1 placed so it is level and sure to any interference, including interference that may remain stable. Never install or use the unit in any of cause undesired operation of the device.
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  Sequencers Sequencers — Introduction Selecting a Sequencer Type ENDLESS Sequencer Benutzerhandbuch ENDLESS Functionality Mode d’Emploi PATTERN Sequencer PATTERN Functionality ©2010-2012 Teenage Engineering. All rights TOMBOLA Sequencer reserved. TOMBOLA Functionality FINGER Sequencer Table of Contents 7.10 FINGER Functionality Hardware — Overview Tape Mode Power On/Off…
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  Sampling Using The Built in Microphone 12.5 Creating a Drum Kit From FM Radio Waves Hardware Song Rendering and Connectivity 13.1 Album 13.2 13.3 OP-1 Mode 13.4 CTRL (Controller) Mode 13.5 DISK Mode 13.6 OPT (Option) Mode 13.7 Sequencing External Equipment 13.8…
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  USB Cable playing around and exploring. You can always come back to this manual at a later stage. The OP-1 uses a standard USB to mini USB cable for charging the OP-1 and for transferring data between What’s in the Box? your OP-1 and your computer.

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  USB cable into the USB port located on the tape. right side of your OP-1 and connect it to a computer or to a USB power adapter. Press the MIXER key to open up the Mixer view.

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  3.5 mm Audio In Everything will still be there the next time you power on your OP-1 exactly the same as when you left it. NOTE: The more samples or other data you store on USB for Charging the your OP-1, the longer the start-up process will be. It’s…
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  Tape edits Tape Transport Rewind / Forward Shift Musical Keyboard Octave shift +/- Step Forward / Back 2.2 LEDs On the right side of your OP-1 you find the built in Microphone and VU/Battery LEDs Built in VU/Battery Microphone indicator…
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  Synthesizer or Drum key. PRO-TIP: Press and hold HELP while playing the musical keyboard to let your OP-1 display the current note. 3.2 Octave shift Use the Arrow keys to transpose octave while in Synthesizer or Drum mode.
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  4 Main Modes 4.1 The Four Main Modes 4.3 Main Modes Screen examples Your OP-1 is designed to be easy to use, so the most Synthesizer using String Engine. important functions are located on the first keys to the left on the upper row. The four keys are grouped together and are called Main Modes.
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  5.1 Synthesizer Mode – Introduction The first module of a sound is its engine. This is the OP-1 has several original synthesizer engines. Each heart of the sound and is the most important part. one has its own personality. When in Synthesizer Mode, the synthesizer engine’s visual is always…
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  Polyphonic, Monophonic, Legato or Unison. In play mode, you also have the portamento amount, destination and the destination parameter. MIDI – Route external MIDI CC to the OP-1. parameter setting. RANDOM – randomize all parameters in a module. Set the speed, amount, LFO envelope and destination TREMOLO –…
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  Synthesizer Mode (Continued) NOTE: Turn the ENCODERS all the way for all options 5.7 Changing Sounds under, for example, destination. The encoders click when turned, which doesn’t equal changing a value. Consider sound selection keys 1-8 as your instant Sometimes you need to turn a couple of clicks to access keys.
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  Synthesizer Mode (Continued) 5.9 Sound File structure The OP-1‘s storage allows you to add files for use for Synth and Drum sounds. It also lets you collect those files you have recorded in Tape and Album for use elsewhere. You may also manage your own presets, those which you have made in synth and saved.
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  Drum Mode 6 Drum Mode The basic concept here is to record all drums in a row 6.1 Drum Mode – Introduction and keep that recording to 12 seconds. Then set in and out points of that recording and dedicate it to a The Drum Mode — entered by certain key on the musical keyboard.
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  Drum folder. See chapters synthesizer, convenient for producing drum sounds. Blue encoder adjusts pitch, Green encoder adjusts 5.8-5.9 on how to transfer files to your OP-1. waveform, White encoder adjusts envelope. Hold SHIFT to access secondary oscillator. Orange 6.6 Using OP-1 standard layout…
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  Sequencers 7 Sequencers 7.1 Sequencers – Introduction OP-1 comes with four original sequencers that let you arrange notes in different ways. Both Synthesizer and Drum mode have 7.4 Endless Sequencer Functions: their own dedicated sequencer memory and can have separate…
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  Sequencers (Continued) CHANGE PLAYBACK DIRECTION OF A SEQUENCE NOTE: In Endless, you may use the arrow keys to You have three different options for how you want the change octave in playback mode. notes to be played back. Forward, Reverse or Random.
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  Sequencers (Continued) LIVE MODE 7.7 TOMBOLA Sequencer Turn the Orange Encoder until HOLD lights up. The sequencer starts, and the white horizontal cursor Use Tombola when you want to create a random moves across the sequence. Press SHIFT + any key sequence.
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  Sequencers (Continued) RELEASING NOTES 7.10 FINGER Functionality Turn the White Encoder to open the Tombola and release the notes. When Finger is activated for Synth, two keyboard players appear. When used with Drum, there are two gorillas. Each sequence, activated by pushing a white key on the Musical Keyboard, is populated by crosses by default.
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  8.1 Tape – Introduction 7. Press STOP when done. 8. Press Rewind (left arrow) to rewind the tape. Your OP-1 has a built in tape 9. Press Play to listen to your recording. feature with 6 minutes of recording time (in normal tape speed and 8.3 Overdubbing…
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  LIFT ALL – Hold down SHIFT + Lift to lift all tracks A nice option for additional recording control is using into memory. the OP-1 accessory Crank. This will give you music- box-style control over your Tape recording. JOIN – Press SHIFT + Split to join takes. This…
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  REVERSE – Change direction of the tape. CHOP – A tempo locked repeat type of effect. NOTE: Connect your OP-1 to your computer and MEMO 1 – Memorize any parameter in Tape transfer the Tape if you want a backup or need to free or Mixer for instant recall.
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  8.15 Backing up your Tape To backup your tape, connect your OP-1 to your computer and press SHIFT + COM. Select Disk Mode. The OP-1 will show up on your desktop as a disk. Locate the folder named “tape” and copy the files named “track_1.aif”, “track_2.aif”, “track_3.aif”,…
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  (T4). But as it is also the final Track 4 level – Orange encoder destination for all sound, it should be worth noting how the sound travels inside your OP-1. This is called To set the Pan Left/Right the Sound Path.
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  Mixer (Continued) 9.5 Master Effect RELEASE sets how quick the drive will narrow the difference between high and low audio levels, and at Master effects are the same effects found in mid to long release times, you’ll start to notice the Synthesizer and Drum mode, but modified for stereo.
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  To start the metronome, press Play. Sync mode means the OP-1 is listening to whatever external tempo you may be feeding it via USB. This lets you slave tempo lock the OP-1 to MIDI Time Code (MTC) sent from external sequencers.
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  Help & Tools 11 Help 11.1 The Help Button Your OP-1 has a built-in Help function. Pressing the Help Key at anytime brings up a Speech Bubble which tells you what mode you are in and what Sound is selected. By holding down the Help Key and pressing any key you get the Key name and function of that specific key.
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  Play the keyboard and adjust start/stop positions The Mic/Input key works quite similar in any mode on using encoders. the OP-1. Let us go through some of the Main Modes IN MIXER MODE 12.2 Mic/Input Key in Synthesizer and Drum Mode Same functionality as in Tape Mode.
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  Activating this mode is done from COM is useful when you want to record any Tape Tricks, mode. Here press the OP-1 Key (T1) for getting to the EQ, effects or live jamming. You may also play the standard OP-1 mode.
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  Your OP-1 is always sending MIDI data out, even if Remote Scripts. you’re not in controller mode. This way you may connect the OP-1 via USB and use any of its built in — Windows XP sequencers for controlling software synthesizers or C:Documents and SettingsAll UsersApplication other connected hardware, configured to receive…
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  Album/COM (Continued) 13.84 Ableton Live Key Assignments With the Ableton Live Script, your OP-1 is now Global Assignments integrated to run keys as numbered below. We are using four modes here as well, though very different [Key Name] Function as they correspond to Live’s functionality.
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  Following Reason 6.0.2 and Reason Essentials 1.0.2, the OP-1 has remote support built into Reason With the OP-1 plugged and in and in MIDI Mode (Press SHIFT + COM, then press T2), open Reason’s Preferences. Navigate to Control Surfaces, and click Auto-detect Surfaces.
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  Using SHIFT along with the Synthesizer or Drum good portion of the OP-1’s keys, it’s mode button will Recall the last saved version of a well worth a look in addition of Synth or Drum sound.
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  SHIFT Key (Continued) 14.4 SHIFT + Arrow Keys 14.5 SHIFT + Encoders In most modes the encoders have double functions. The Arrow keys functionality can be altered by SHIFT as follows: A couple of examples of the alternate encoder functions available with SHIFT include the following: While in Tape mode, SHIFT+ Green encoder lets you set the starting point of the loop, rather than the ending point which the Green encoder would control…
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  OP-1‘s display. To see the effect of some of the LFOs on a particular sound, consider looking at the details of the patch’s building blocks, using the T1-T3 buttons.
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  In this LFO Mode, the MIDI CC becomes manual control for oscillating. Orange encoder the LFO. Setting up your OP-1 to receive MIDI CC for controls the LFO, White encoder sets the amount. a particular sound is done by pressing SHIFT + T4 Green and Blue controls destination.
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  LFO Reference (Continued) 15.8 Additional Symbols Used in LFO Modes The LFO clock found in the Tremolo and the Value LFO Modes indicate a tempo locked clock with numbers and a free running clock with hand. 15.9 Free LFO In certain LFOs you’ll see the destination symbol followed by the letter “F”.
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  A great way to learn how to model a sound on the the Orange encoder counter clockwise to get a OP-1 is to try to create a specific sound from real life. mid- to long release. Set both the Green and the…
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  Exercises (Continued) 16.4 Singing Birds sound Synthesizer Engine: FM Envelope: Short attack, short decay, low sustain and long release Play Mode: Mono, Portamento: 60 FX: Spring Sequencer: Tombola To create a sound like singing birds, start with the FM engine which is good for metallic and distinct sounds but also clean sinus wave sounds when the FM level is turned down.
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  Reference 17 Reference 17.1 Synth engines Cluster Cluster Cluster Cluster Digital Digital Digital Digital TYPE Multi Layered Oscillator Cluster Multi Layered Oscillator Cluster Multi Layered Oscillator Cluster TYPE True Digital Synthesis True Digital Synthesis True Digital Synthesis Detune and Number of Wave Wave Spread…
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  Reference Synth Engines (Continued) Phase Phase Phase Phase TYPE Four Operator FM Synthesis Four Operator FM Synthesis Four Operator FM Synthesis TYPE Phase Distortion Phase Distortion Phase Distortion Phase Distortion Phase Phase Topology Freq. Detune Amount Shift Amount Filter Tilt Dr Wave Dr Wave Dr Wave…
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  Reference Synth Engines (Continued) Drum Sampler engine Drum Sampler engine Drum Sampler engine Drum Sampler engine Drum Sampler engine Drum Sampler engine Drum Sampler engine Drum Sampler engine TYPE Teenage Percussion Sample Player Teenage Percussion Sample Player Teenage Percussion Sample Player TYPE Teenage Percussion Sample Player Teenage Percussion Sample Player…
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  Reference Effects 17.2 Effects Reference Delay Delay Delay Delay Grid Grid Grid Grid TYPE Solid State Delay Solid State Delay Solid State Delay TYPE Three Dimensional Feedback Plate Three Dimensional Feedback Plate Three Dimensional Feedback Plate Size Speed Feedback X Size Y Size Z Feedback Nitro…
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  Reference Effects (Continued) Punch Punch Punch Punch Spring Spring Spring Spring TYPE Hard Hitting Low Pass Filter Hard Hitting Low Pass Filter Hard Hitting Low Pass Filter TYPE Mathematic Reverb Mathematic Reverb Mathematic Reverb Frequency Punch Rounds Power Tone Turns Damping Send PRO-TIP: Press and hold SHIFT while turning…
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  Hardware 18 Hardware Mechanical Body • Low profile keyboard module • Advanced CNC:d one-piece Aluminum • Scissor-switch ultra low profile design design. • 400 MHz Processor Core (800 MMACS • Expected lifespan of 10 million • 2 X M6 Mounting holes for accessories. performance) keystrokes per key •…
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  OP-1 with optional Studio System rig.
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  OP-1 with optional accessories.

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