- Manuals
- Brands
- Valeton Manuals
- Recording Equipment
- GP-100
- User manual
-
Contents
-
Table of Contents
-
Troubleshooting
-
Bookmarks
Quick Links
USER’S MANUAL
ForFirmwareV1.5
Related Manuals for Valeton GP-100
Summary of Contents for Valeton GP-100
-
Page 1
USER’S MANUAL ForFirmwareV1.5… -
Page 2: Table Of Contents
TABLE OF CONTENTS SUGGESTED SETUPS WELCOME ·····15 ···········1 Using with your instrument ATTENTION ··········1 and amp OVERVIEW ··········2 ···········15 Connecting to your amp’s PANEL INTRODUCTION ·····3 RETURN Top Panel ··········3 ···········16 Connecting your mixer, Rear Panel ··········4 interface, headphones, and GETTING STARTED ·······4 other equipment…
-
Page 3: Welcome
WELCOME Thank you for purchasing a VALETON product. Please read this manual carefully to get the most out of your GP-100. Please keep this manual for future reference. ATTENTION Handling ·Do not get the unit wet. If liquid is spilled on the unit, shut it o immediately.
-
Page 4: Overview
The built-in tuner gets your guitar in tune. The built-in drum machine and aux input jack set you up to play along with a drum loop, metronome, or your favorite music. Whether you’re a beginner or an old guitar freak, the GP-100’s got it all to let you have at it!
-
Page 5: Panel Introduction
PANEL INTRODUCTION Top Panel 1. LED Display 6. SAVE button This display shows GP-100’s the patch Use this button to store, rename, and copy the numbers, patch name, and other operation preset. Whenever a preset is modified, the information. LCD display will show a “*” symbol to indicate 2.
-
Page 6: Rear Panel
The GP-100 has two operation modes: Play Mode and Edit Mode. Play Mode GP-100 will be in play mode when first powered on. The LED screen shows the patch number (from P01 to F99), master volume, patch volume, BPM, patch name and more. Play Mode allows you to navigate presets using the PARA knob or footswitches.
-
Page 7: Edit Mode
4. See “Editing Patch” for more information on storing a patch. Navigating Patches The GP-100 has two patch banks: the User patch bank, which appears in the LED display as P01 to P99, and the Factory patch bank, which appears in the LED display as F01 to F99. From Play Mode, step on the [+]/[-] footswitches or turn the PARA knob to change presets .
-
Page 8: Looper Function
Main Display screen to indicate it is on: NOTE The built-in expression pedal also functions when it is turned o . It controls the output volume or input volume of the GP-100, depending on the where it is positioned in the e ect chain.
-
Page 9: Edit
Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.
-
Page 10: Stomp Mode
Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.
-
Page 11: Save Mode
·Press the PARA button or SAVE button to confirm the save. ·Press the EXIT button to exit the SAVE menu. GLOBAL Use the GLOBAL menu to set GP-100’s global functions, including input level, EXP pedal settings, language, and footswitch mode. You can also return to factory settings from this menu.
-
Page 12: Tap Tempo Mode
GLOBAL Tap Tempo Mode In this menu, you can set whether all patches to accept the impact of Tap Tampo.This function ignores the Sync settings in the stored patches, but does not a ect the stored patches. Tap Tempo Mode The Sync function of the PRE, MOD and DLY modules in all the patches can be a ected by Tap Tempo.
-
Page 13: Calibrate
GLOBAL ·VOL Range When the built in expression pedal is o , it continues to work as a volume pedal. Under the VOL Range option, you can set the volume pedal range and sweep curve. Just like in the EXP Range section, MIN and MAX represent the lowest/highest volume range value respectively.
-
Page 14: Usb Audio
GLOBAL Calibrate Then, press the pedal toe down strongly and press the PARA button to select Next. If the pedal is successfully calibrated, the following prompt will be displayed. Press the PARA button to confirm the calibration and return to the previous menu. If pedal calibration fails, press the the PARA button to re- calibrate.
-
Page 15: Footswitch Mode
GLOBAL Footswitch Mode This menu is used to set the GP-100 FOOTSWITCH mode. Turn Quick adjust knob 2 to select the footswitch mode. You can select footswitch mode as PATCH mode or STOMP mode. NOTE In both footswitch modes, press and hold footswitch [-] to turn on/o Tap Tempo function, press and hold footswitch [+] to switch footswitch mode.
-
Page 16: Factory Reset
Factory Reset Use this menu to perform a factory reset. Remember, resetting the GP-100 will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone, so please back up your settings before performing a factory reset.
-
Page 17: Software
Here are some common setups to get the most out of GP-100. Using with your instrument and amp Plug your instrument into the GP-100 instrument INPUT jack, and run a cable (or two) from the OUTPUT(s) to your amplifier(s). If you have one amp, run the cable from the left output.
-
Page 18: Connecting To Your Amp’s Return
Connecting your mixer, interface, headphones, and other equipment Connect GP-100’s outputs to your mixer or audio interface’s corresponding inputs. If you want to send a mono signal out, use GP-100’s left output channel. To prevent damage to your equipment, make sure the mixer or interface channel’s volume is muted before making ANY connections.
-
Page 19: Connecting To Your Computer As An Audio Interface
Connect a male-to-male 1/8” stereo cable from your audio source (phone or MP3 player) to GP-100’s AUX IN jack. This line will be una ected by GP-100’s internal e ects. Note: if you are running a mono line out, you will…
-
Page 20: Effect List
EFFECT LIST FX Title Description Parameters & Ranges Good For Based on the legendary Ross™ Compressor. This is the originator of the guitar compression e ect. It brings the guitar compression e ect Sustain (0~99) Controls the compression amount COMP Vintage to the public and becomes an Output (0~99) Controls the e ect output volume…
-
Page 21
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on legendary VOX V846* wah pedal. The earliest wa-wah pedal was originally designed to allow the wind instrument passing V-Wah through it to produce a more Range(0~99) Controls the filter frequency range emotionally expressive “wa-wah”… -
Page 22: Dst
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on legenary Ibanez TS-808 Tube ® Screamer * overdrive pedal. Since it was first shown to the world in 1979, TS808 has opened up a new world. There are countless guitarists who Gain(0~99) Controls the gain amount Blues love it.
-
Page 23
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on legendary Dallas-Arbiter Fuzz ® Face * fuzz pedal. Dallas Arbiter conjured the sound of rock and roll for half a century in 1966 with a few simple transistors. The Fuzz(0~100) Controls the gain amount sound of Fuzz Face was heavy and sharp, Rock… -
Page 24: Amp
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on Fender Tweed Deluxe*. This amplifier with a dynamic range from VOL(0~99) Controls the amp pre gain clean to wild overdrive, from country Blues Tweedy Tone (0~99) Controls the tone brightness ®…
-
Page 25
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on VOX AC30HW* (normal channel). The symbolic clear sound and warm and sharp overdrive, since the day of its birth, has become the Shadows, The Beatles, the Rolling Stones and other group’s favorite VOL(0~99) Controls the amp pre gain Blues speaker. -
Page 26
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on Grindrod Pendragon Gain(0~99) Controls the amp pre gain PG20C* (Normal channel, bright o ). If VOL(0~99) Controls the amp output volume Knights you’re a big fan of British Blues Bass(0~99) Controls the amp low frequency response sound/overdrive, this is a sound you… -
Page 27
EFFECT LIST FX Title Description Parameters & Ranges Good For Based on the famous “Brown Eye” UK- Gain(0~99) Controls the amp pre gain style boutique amp head (BE channel). PRES(0~99) Controls the amp presence ® Improvement on Marshall Plexi* Master(0~99) Controls the amp output volume Blues Flagman basis. -
Page 28
EFFECT LIST FX Title Description Parameters & Ranges Good For Gain(0~99) Controls the amp pre gain PRES(0~99) Controls the amp presence Based on Matchless™ Chieftain Master(0~99) Controls the amp output volume Blues Match OD 212 combo* (dirty tone). Bass(0~99) Controls the amp low frequency response Rock Middle(0~99) Controls the amp mid frequency response Treble(0~99) Controls the amp high frequency response… -
Page 29
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on Diezel Vh4*. Born in Germany in the 1990s, its timbre and Gain(0~99) Controls the amp pre gain multifunction have attracted PRES(0~99) Controls the amp presence countless guitar masters. The unique Master(0~99) Controls the amp output volume Dizz VH Metal… -
Page 30
EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on ENGL Powerball II Gain(0~99) Controls the amp pre gain E645/2* (CH4). It can bring you PRES(0~99) Controls the amp presence extremely compact low frequency, a Master(0~99) Controls the amp output volume Power LD Metal lot of gain and precise dynamic… -
Page 31
EFFECT LIST FX Title Description Parameters & Ranges Good For Gain(0~99) Controls the amp pre gain ® Based on Ampeg SVT* bass amp. Bass(0~99) Controls the amp low frequency response Launched in 1969, Ampeg SVT has Middle(0~99) Controls the amp mid frequency response Classic always been the most mainstream MRange(220Hz/450Hz/800Hz/1.6kHz/3kHz) -
Page 32: Cab
EFFECT LIST Description Parameters & Ranges Good For Title ® Based on the famous ISP Decimator™* noise gate pedal. The Decimator features improvements in the expander tracking with their new Linearized Gate 1 Time Vector Processing™. This novel improvement Thre(0~99) Controls the noise gate thre Modern provides a more linear release time-constant response for the exponential release curve of the…
-
Page 33
EFFECT LIST FX Title Description Parameters & Ranges ® Custom modified Marshall * 4×12″ cabinet. The powerful speakers can bring UK-MD 4×12 you classic Marshall penetration and solidity. ® Bogner Uberkab* 4×12″ cabinet. Pogner 4×12 The open cabinet makes its sound more flexible. ®… -
Page 34
EFFECT LIST FX Title Description Parameters & Ranges ® Vintage Fender Princeton* 1×10″ cabinet. Suitable for warm and bright clean TWD-P 1×10 sounds, and can keenly capture fingertip movements. ® ® Fender ’59 Bassman * 4×10″ cabinet. Bellman 4×10 Four 10-inch speakers give it plenty of high frequencies, making it very suitable for country music and blues music. -
Page 35: Mod
EFFECT LIST FX Title Description Parameters & Ranges ® Based on legendary Arion SCH-1* stereo chorus pedal. Eric Clapton and Michael Landau used its Depth(0~99) Controls the chorus depth sound to create the wonderful atmosphere of the Rate(0.10~10.00Hz) Controls the chorus speed A-Chorus 80s! Whether it’s the classic chorus e ect or the Tone(0~99) Controls the tone brightness…
-
Page 36: Delay
EFFECT LIST FX Title Description Parameters & Ranges ® Based on legendary Demeter TRM-1Tremulator*, o ering classical opto tremolo sound. In 1982, rock Depth(0~99) Controls the flanger depth pioneer Ry Cooder approached James Demeter to Opto Trem Rate(0.10~10.00Hz) Controls the e ect speed ®…
-
Page 37
EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount T-Echo Simulates tube-driven tape echo sound Time (20ms-4000ms) Controls the delay time Sync (O /On) Switches Tap Tempo sync on/o Trail (O /On) Switches e ect trail on/o Mix (0~99) Contols the wet/dry signal ratio ®… -
Page 38: Reverb
EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Time (20ms-4000ms) Controls the delay time A multi tap delay that Fdbk (0~99) Controls the feedback amount M-Echo2 Tone (0~99) Controls the e ect tone brightness simulates Sync (O /On) Switches Tap Tempo sync on/o Trail (O /On) Switches e ect trail on/o…
-
Page 39: Drum Rhythm List
EFFECT LIST REVERB FX Title Description Parameters & Ranges Mix (0~99) Controls the wet/dry signal ratio Pre Delay (0ms-100ms) Controls the pre delay time Produces a modulated Decay (0~99) Controls the reverb decay time Mod Verb reverb e ect that is lush Lo End (-50~+50) Controls the e ect low frequency amount and sweet Hi End (-50~+50) Controls the e ect high frequency amount…
-
Page 40
DRUM RHYTHM LIST Genre Type Time Signature Recommended Tempo Hard 1 120BPM Hard 2 120BPM Nu 1 120BPM Nu 2 120BPM Metal1 160BPM Metal2 160BPM Punk 1 160BPM Punk 2 180BPM Punk 3 220BPM Punk 4 120BPM Rock Punk 5 120BPM P Punk 1 120BPM… -
Page 41
DRUM RHYTHM LIST Genre Type Time Signature Recommended Tempo Pop 2 160BPM Bossa1 160BPM Bossa2 160BPM Beguine 160BPM Mazuke 160BPM Samba 160BPM Army 160BPM March 1 160BPM March 2 160BPM World Musette 160BPM NuAge1 120BPM NuAge2 120BPM Polka 120BPM Tango 120BPM 120BPM Waltz… -
Page 42: Troubleshooting
·If you’re using an external expression pedal to control distortion or other similar parameters, check to see if the expression pedal is set up properly. ·Check your e ects parameter setup. If e ects are set to extremes, GP-100 may only emit noise. Problems With Expression Pedal ·Check your expression pedal on/o settings.
-
Page 43
SPECIFICATION Analog Input Connections ·Guitar Input: 1/4″ Unbalanced (TS) ·Input Impedance: 1M Ohms ·Aux Input: 1/8″ Stereo (TRS) ·Aux Input Impedance: 10k Ohms Analog Output Connections ·Left/Right Outputs: 1/4″ Impedance Unbalanced(TS) ·Left/Right Output Impedance: 1k Ohms ·Headphone Output: 1/8″ Stereo (TRS) ·Headphone Output Impedance: 47 Ohms Digital Connections ·USB Port: USB 2.0 Type-B port…
PANEL INTRODUCTION
Rear View
11. INPUT Jack
1/4″ mono audio jack, for connecting guitar.
12. OUTPUT L/OUTPUT R Jack
1/4″ TRS output interfaces can be configured
for mono or stereo operation. Use them to
connect to a single guitar speaker, a pair of
stereo guitar speakers, or directly to the input
of a PA or recording device.
13. AUX IN
1/8″ TRS input for connecting external devices
GETTING STARTED
The GP-100 has two operation modes: Play Mode and Edit Mode.
Play Mode
GP-100 will be in play mode when first powered on. The LED screen shows the patch number (from
P01 to F99), master volume, patch volume, BPM, patch name and more. Play Mode allows you to
navigate presets using the PARA knob or footswitches.
G
C
D
E
11
12
H
A
I
B
F
12
13
14
(phone, MP3 player) for practice and
jamming.
14. PHONES
1/8″ TRS output for connecting headphones.
15. USB
USB 2.0 Type-B connects to your computer
for use with GP-100 software, or as a USB
audio interface.
16. Power Supply Connection
Power supply input (9V DC center negative) .
A. Patch No.
B. Patch name
C. Foot switch mode
D. Master volume
E. Patch BPM
F. Patch volume
G. EXP pedal state
H. Patch state
I. DRUM state
15
16
4
Valeton GP-100: Available Instructions
Note for Owners:
Guidesimo.com webproject is not a service center of Valeton trademark and does not carries out works for diagnosis and repair of faulty Valeton GP-100 equipment. For quality services, please contact an official service center of Valeton company. On our website you can read and download documentation for your Valeton GP-100 device for free and familiarize yourself with the technical specifications of device.
-
EDP i-BOX
Installation & User Guidei-BOX Installation And User Guide_V4.2.6 Page 1 of 57Installation&UserGuideKalkenstraat 91-93 B-8800 Roeselare (Roulers) — BelgiumTel. +32(0)51/25.06.10 Fax +32(0)51/24.02.57Email: [email protected] website: www.rack19.be or www.eldeco.be or www.eldeco-edp.eu …
i-BOX Recording Equipment, 57
-
MOTU HDX-SDI
™ MOTU HDX- SDI User’s Guide for Windows 1280 Massachusetts AvenueCambridge, MA 02138Business voice: (617) 576-2760Business fax: (617) 576-3609Web site: www.motu.comTech support: www.motu.com/support HDX-SDI Manual Win Page -1 Friday, April 8, 2011 11:54 AM …
HDX-SDI Recording Equipment, 66
-
Kilpatrick Audio Format
Kilpatrick FormatTechnical SpecicationsKilpatrick FormatTechnical SpecificationsA Specification and Guide for Module DesignersCopyright 2014: Kilpatrick Audio / Andrew KilpatrickWritten by: Andrew Kilpatrick07/02/2014 Page 1 of 29web: www.kilpatrickaudio.com – email: [email protected] …
Format Recording Equipment, 29
-
Philips CDR800
Philips Audio CD Recorder CDR 800: Getting started…EnglishINOUTLRCDR/TAPEAMPLIFIER/RECEIVEROUTDIGITALDIGITAL COAXIAL SOURCE(CD player, DVD, DAT)INLRANALOGCD RECORDEROUTLRPHONORECORD PLAYEROUTLRANALOGOPTICALININOUTDIGITALINOUTLRANALOGINLRPHONOAC MAINSDemo modeThe demo mode displays various features of the set and will start automatically.0 To switch off the demo mode keep STOP 9pressed for at lea …
CDR800 CD Player, 2
-
Kvaser USBcan Light 4xHS
Kvaser USBcan Light 4xHS User’s GuideCopyright 2015-2018 Kvaser AB, Mölndal, Swedenhttp://www.kvaser.comPrinted Wednesday 16thMay, 2018We believe that the information contained herein was accurate in all respects at the time of printing.Kvaser AB cannot, however, assume any responsibility for errors or omissions in this text. Also notethat the information in this document is subject to change w …
USBcan Light 4xHS Recording Equipment, 20
-
Musical Surroundings Fozgometer
Fozgometer Testing and Calibration Procedure (revised, 4/12/2017) All Fozgometer units are pre-calibrated at the factory and are double checked for accuracy prior to shipping. To calibrate the unit in the field follow the procedure below. You will need: -a small slotted screwdriver -a cable (1/8″ Stereo mini-jack to RCA stereo splitter cable or RCA to RCA stereo cable) -fresh 9v battery. If …
Fozgometer Recording Equipment, 3
-
Broadcast Tools GPI-16 Plus/RJ
Due to the dynamic nature of product design, the information contained in this document is subject to change without notice. Broadcast Tools, Inc., assumes noresponsibility for errors and/or omissions contained in this document. Revisions of this information or new editions may be issued to incorporate such changes.Broadcast Tools® is a registered trademark of Broadcast Tools, Inc.tiny TOOLS™ …
GPI-16 Plus/RJ Recording Equipment, 14
-
YASKAWA J1000 CIMR-JC series
The following procedure is a supplement to other documentation supplied with this equipment and will guide the user in properly wiring the J1000 and motor. It will also allow the installer to check motor direction and correct if necessary.Danger: Improper wiring can and will cause bodily harm as well as damage to the equipmentWhen installing the system be sure to follow good wiring practices and …
J1000 CIMR-JC series Controller, 2
-
weintek cMT2158X Series
Installation and Startup Guide This document covers the installation of cMT2158X Series HMI, for the detailed specifications and operation, please refer to Datasheet, Brochure and EasyBuilder Pro User Manual. Please read all warnings, precautions, and instructions on the device carefully before use. Install Environment: NEMA Rating The HMI product is NEMA 4 rated (indoor use only). Electrical …
cMT2158X Series Recording Equipment, 2
Popular Recording Equipment User Guides:
Содержание
- Обзор гитарного процессора эффектов Valeton GP-100
- Технические характеристики Valeton GP-100
- Analog Input Connections
- Analog Output Connections
- Digital Connections
- Power
- Обзор гитарного процессора Valeton GP-100 — №1
Обзор гитарного процессора эффектов Valeton GP-100
Брэнд Valeton, появившийся на рынке в 2014 году, позиционирует себя как независимая компания, хотя на выставках постоянно делит стенд с Hotone. Возможно, это конечно и две разные компании, ютились же PRS долгое с Mesa/Boogie на франкфуртской MusikMesse на одном стенде, пока PRS не дорос до крупных площадей, и ему стало тесно. Не буду заострять на этом внимание, а перейду непосредственно к продукту.
Valeton GP-100 – представляет собой компактный напольный гитарный процессор с двумя ножными кнопками и педалью экспрессии. Кнопки позволяют листать пресеты (режим Patch Mode) или включать/выключать подгруппы эффектов или отдельные примочки (Stomp Mode). Управление параметрами и редакция осуществляется четырьмя крупными поворотными ручками и пятью кнопочками. Экранчик маленький, как у какого-нибудь NUX MG-100, зато цветной, как и у упомянутого NUX.
Выход стереофонический, кабинет эмулированный. Прибор позволяет загружать до двадцати пользовательских импульсов гитарных кабинетов в дополнение к сорока уже зашитым в память. Имеется и выход на наушники.
Гитарный процессор Valeton GP-100 моделирует звучание сорока пяти усилителей, как гитарных, так и басовых и даже для акустической гитары. Процессор предлагает свыше пятидесяти эффектов динамической, модуляционной и пространственной обработки. Питчевой обработки пока нет, но возможно со временем и она появится, прошивка имеет свойство обновляться, а USB позволяет загружать новые версии. Одновременно можно использовать до семи эффектов, располагая их в любом порядке. Кроме того эффекты можно поместить как перед эмулятором усилителя, так и после, типа в разрыв, и даже после кабинетэмулятора.
Мозги прибора защищает крепкий металлический корпус. Размер меньше, чем iPad Mini 4, кроме, естественно, толщины. Вес – 800 грамм.
Технические характеристики Valeton GP-100
— 24-bit 44.1kHz signal processing
— Advanced digital modeling technology delivers organic tone
— Over 140 high quality effects
— Editable effect chain
— 45 legendary guitar/bass/acoustic amp types
— 40 factory IR cabinets
— Supports storing 20 user IRs
— 50+ dynamic/drive/EQ/mod/delay/reverb effects
— USB audio interface function with stereo audio streaming
— Stompbox and preset modes for different situations
— 198 presets (99 factory, 99 user)
— High quality looper
— 100 high quality drum patterns
— Durable metal chassis and footswitches
— Built-in chromatic tuner
— Intuitive PC/Mac editor
— 1/4″ stereo outputs
— 1/8″ headphone output
— Stereo 1/8″ Aux Input
— Built-in expression pedal
— DC 9V power supply
A/D/A Converter: 24-bit high performance audio
Sampling Frequency: 44.1 kHz
SNR: 110dB
Maximum Simultaneous Effects: 9
Preset Memory: 99 User Presets/99 Factory Presets
Looper: 90 seconds of record time
Drum Machine: 99 Patterns
Analog Input Connections
Guitar Input: 1/4″ Unbalanced (TS)
Input Impedance: 1M Ohms
Aux Input: 1/8″ Stereo (TRS)
Aux Input Impedance: 10k Ohms
Analog Output Connections
Left/Right Outputs: 1/4″ Unbalanced (TS)
Left/Right Output Impedance: 1k Ohms
Headphone Output: 1/8″ Stereo (TRS)
Headphone Output Impedance: 47 Ohms
Digital Connections
USB Port: USB 2.0 Type-B
USB Recording Specification
Sample Rate: 44.1 kHz
Bit Depth: Supports 16-bit or 24-bit
Dimensions: 198mm(L) x 134mm(W) x 28mm(H)
Unit Weight: 800g
Power
Power Requirements: DC 9V, 500mA
Обзор гитарного процессора Valeton GP-100 — №1
Гитарный процессор Valeton GP-100 — очень удобный, интуитивно понятное управление. Заводские пресеты из коробки очень классные. Красивый и железный. IR Кабинеты не уступают в качестве AMT Pangea CP100. Но перегруз всё-таки наверное уступает аналоговому преампу AMT S2 (но это субъективно на мой вкус).
На MAC OS гитарный процессор Valeton GP-100 цепляется мгновенно без драйверов, удобно мониторить запись без задержки воткнувшись в проц, а комп при этом пишет, ущербный джек на наушники 3.5мм почему не сделали 6.3 не понятно. Звук встроенных барабанов мне в гитарных процессорах Digitech нравился больше, более дубасящий был, а у валетона мягковатые барабаны при подключении к компу барабаны не играют на запись — может я не разобрался, но в целом клёвая игрушка для гитариста.
Источник